Multidisciplinar

All Items

• "Uji - O Bom da Roda" vocality, encounters and contamination between Samba de Roda and Mímesis Corpórea

  Eduardo Conegundes de Souza

  150-176

• A Bakhtinian look at the vocal construction of people with gender diversity

  Isadora Annes Bitencourt

  185-206

• About the Mystical and Somatic Experience in the Dance Circles of Universal Peace

  Márcia Virgínia Araújo

  156-184

• Acoustic analysis as a contribution to the study of theatrical scream an experience report in actresses’ voices

  Jane Celeste Guberfain, Mariana Baltar, Lidia Becker

  114-129

• The Actor's Voice founding element of the scene

  Branca Temer

  241-261

• The Actor's voice in a digital environment an interview with Sound Designers and SP Escola de Teatro instructors Edézio Aragão, Gregory Slivar and Raul Teixeira

  Ana Cristine Wegner, Rafaella Uhiara

  194-211

• Analysis of Black-referenced Practices in the Teaching of Vocal Expression in Amapá

  Emerson de Paula Silva

  149-165

• The apparatus in Concert for four pianos of Lolo & Sosaku

  Guilherme Mayer, César Lignelli

  53-82

• As long as you're alive, never say “never”

  Álvaro Correia

  150-154

• Between Voice Pedagogy and Voice Direction reflections on common and distinctive aspects of their practices

  João Henriques

  133-161

• Biographical Bodies in a singer's training

  Sarah Thamires Alves de Lima, Jéssica Almeida

  119-137

• Bocal Vocal improvisation and performance

  Inés Terra Brandes, Paola Ribeiro da Silva

  12-30

• bodyVoice_space the art of the living body with sound and movement

  Edith Marlis de Camargo Mosberger, Ana Paula Dassie-Leite, Robson Rosseto

  133-155

• Candangas words videonarrative of women in the construction and consolidation of Brasília and the Federal District

  Jemima Tavares de Medeiros, Sonia Tavares Medeiros, Sulian Vieira Pacheco

  99-125

• The cares of Berna and Ventura the production of alterity in the choreographic-musical composition

  João Lucas

  83-106

• Characters’ vocal body compositions in A hero’s journey

  Jane Celeste Guberfain, Mateus Amorim Ribeiro, Alexandre de Oliveira Gomes Gomes

  23-39

• Clues for a voice inventory know yourself to transform yourself

  Fernando Aleixo

  69-82

• CompoSing awareness approaching Somaesthetics through Voice and Yoga

  Charulatha Mani; Sulian Vieira

  223-250

• Connections between the use of the stick microphone and the accuracy of the singing voice of the Musical Theatre Artist in training

  Júlia Barcelos, César Lignelli

  154-173

• Considerations for a Relational Vocal Pedagogy

  Carlos Henrique Barto Júnior

  209-224

• Construction and concepts of Beuttenmüller Method and its applicability on performing arts

  Domingos Sávio Ferreira de Oliveira, Lídia Becker

  18-33

• Contribution to body and scenic education of the popular singer

  Valeria Braga

  262-282

• Conversation with Jorge Parente about vocal warm-up in scenic work

  Eugênio Tadeu Pereira

  216-225

• Conversation with vocal coach Rafael Barreiros about the “Speech-Level Singing” and “Institute for Vocal Advancement” methods

  Cassiano Weigert Fraga

  283-296

• Conversation with Wladimir Pinheiro about the many possibilities of the Musical Theatre

  Leticia Carvalho

  212-225

• Corpolitical body-vocal narratives in projection - report from a remote creative laboratory

  Luciana Leandro de Lucena

  130-145

• Creating Voices, Narrating Women

  Daiane Dordete , Meran Muniz da Costa Vargens

  12-25

• Creation through Dialogue Interpretation and Voice Direction in Turismo Infinito

  João Henriques, José Eduardo Silva

  12-41

• Curupira on stage vocalities, sonorities, and counter-colonial afro-indigenous poetics in the Amapaense Amazon

  José Raphael Brito dos Santos, Anderson Gley da Costa Pantoja

  121-148

• Daqui do Cariri the polyphonic performance in the practice of directors

  Maria Lucivania de Lima Barbosa

  132-147

• DeBanda

  César Lignelli, Victor Hugo Correa Silvera

  271-315

• Deságua memorial repport of a body-vocal and ancestry creation process

  Evelyn Cristine Pereira Nascimento

  229-239

• Dialogues mediated by technical objects Interview with João Bento

  Guilherme Mayer, César Lignelli

  297-314

• The Disembodied Voice and the Face of the Other

  Wania Storolli

  104-119

• Editorial / Presentation

  César Lignelli , Daiane Dordete , Meran Vargens, Tiago Elias Mundim

  04-05

• Editorial / Presentation

  César, Daiane Dordete , Meran Vargens, Tiago Elias Mundim

  04-05

• Editorial / Presentation

  César Lignelli, Daiane Dordete , Meran Vargens, Tiago Elias

  04-05

• Editorial / Presentation

  César Lignelli, Daiane Dordete , Meran Vargens, Tiago Elias Mundim

  04-05

• Editorial / Presentation

  César Lignelli, Daiane Dordete , Meran Vargens, Tiago Elias Mundim

  05-06

• Editorial / Presentation

  César Lignelli, Daiane Dordete , Meran Vargens, Tiago Elias Mundim

  05-06

• Editorial / Presentation

  César Lignelli, Daiane Dordete, Meran Vargens, Tiago Elias Mundim

  05-06

• Editorial / Presentation

  César Lignelli, Tiago Elias Mundim, Daiane Dordete, Meran Vargens

  04-05

• Editorial / Presentation

  César Lignelli , Tiago Elias Mundim, Daiane Dordete, Meran Vargens

  04-05

• Editorial / Presentation

  César Lignelli, Daiane Dordete Steckert Jacobs, Meran Muniz da Costa Vargens, Tiago Elias Mundim

  05-06

• Editorial / Presentation

  César Lignelli, Daiane Dordete Steckert Jacobs, Meran Muniz da Costa Vargens, Tiago Elias Mundim

  04-05

• Editorial / Presentation

  César Lignelli, Daiane Dordete Steckert Jacobs, Meran Muniz da Costa Vargens, Tiago Elias Mundim

  04-05

• Editorial / Thematic Dossier

  Ana Cristine Wegner , Charles Feitosa, Daiane Dordete, Tiago Elias Mundim

  06-08

• Editorial / Thematic Dossier

  Juliana Alves Mota Drummond, Marcos Machado Chaves, Thales Branche Paes de Mendonça, Vinícius Assunção Albricker, Wania Mara Agostini Storolli

  07-08

• Editorial / Thematic Dossier

  Ernani Maletta, César Lignelli, Jussara Rodrigues Fernandino, Vinícius Assunção Albricker

  07-10

• Editorial / Thematic Dossier

  Daiane Dordete, Meran Vargens, Janaína Träsel Martins, Sulian Vieira Pacheco

  07-08

• Editorial / Thematic Dossier

  Marcos Machado Chaves, Ariane Guerra Barros, Cándida Graciela Chamorro Argüello, Daniel dos Santos Colin, Rosa Aparecida do Couto Silva, Sulian Vieira

  06-09

• Editorial / Thematic Dossier

  Diego Pizarro, Sulian Vieira

  06-14

• Editorial / Thematic Dossier - Dialogues, Encounters, and Agencements of Vocal Direction with the Performing Arts

  João Henriques, Eugênio Tadeu Pereira, Janaína Träsel Martins, Letícia Carvalho, Lúcia Gayotto, Vagner de Souza Vargas

  06-08

• Editorial / Thematic Dossier - Poetics in Vocalities and Sonorities of the Scene in the Amazon

  Thales Branche Paes de Mendonça, Leonel Martins Carneiro, Roseany Karimme Silva Fonseca

  06-13

• Editorial / Thematic Dossier - Vocal Practices and Poetics

  Fernando Manuel Aleixo, Domingos Sávio Ferreira de Oliveira, Guilherme Mayer Santos

  07-09

• Editorial / Thematic Dossier - Voice Somatics 2

  Diego Pizarro, Sulian Vieira

  10-19

• Energy in dance moving voice a conversation with Mozambican choreographer Idio Chichava

  Diego Pizarro

  415-436

• Enunciative Disjunction in moscou para principiantes

  Aline Moreira Filócomo, Natacha Dias, Vinicius Torres Machado

  198-216

• An Epistemic Shift, Inviting a Fresh Look at Grotowski and the Workcenter

  Ludmilla Reis Rolim, Luciano Mendes de Jesus

  379-405

• Eros in the Abyss Alban Berg’s Lulu, descensus ad inferos

  Maria Elisabetta Bucci

  118-130

• Euphoria

  Cristhian Cantarino , Clara Molina

  463-486

• Exercise to think about silence from decolonial perspectives

  Ana Paula Penna da Silva

  56-70

• Experiences of visualization of the text spoken in theatrical practice

  Maurilio Andrade Rocha, Stéphanie Souza Araújo Leal, Natalia Claret Alves dos Reis, Maria Isabel Barbosa Falcão, Clara Fernandino Dias, Marcus Vinícius de Carvalho, Alex Antônio Oliveira Bonfim, Renata Lanier Jardim Alves Santana

  200-215

• Female Voice Project reconnecting yourself for voice expansion

  Maria Eleonora Montenegro de Souza, Mayra Montenegro de Souza, Glênia Maria da Silva Freitas, Samara Batista dos Santos

  146-165

• For a reenchanted pedagogy of the voice in the artes vivas assumptions for an ecological relationship of the voice

  Juliana Rangel

  36-55

• For an Amazon’s somatic dialogues between forest wisdom and somatic practices

  Leonel Martins Carneiro, Tânia Villarroel Andrade

  225-257

• Forms of presence of the physical and virtual body in the theater from the analysis of the play Futureland by Lola Arias

  Denise Cobello

  59-73

• Fragments of Urban Bodies

  Ariane Guerra Barros

  226-245

• From Imagination to Voice Affective Interiority and Embodiment in the work of Voice Direction with the Actor

  João Henriques

  09-34

• From Scrutiny to the Inquisition a creative journey autoethnography

  Amanda Gonsales de Araujo

  242-263

• Fulaninho

  Marcos Machado Chaves

  183-211

• Give me your voice

  Sara Carinhas

  138-149

• The headphone use as a performative strategy possibilities observed in The Show Must Go On (2011)

  Guilherme Mayer Santos, César Lignelli

  102-118

• Headset and lapel microphone in national and international Musical Theatre Interview with Gabriel Bocutti

  Júlia Barcelos, César Lignelli

  362-378

• A Heavy Body, a Failing Voice, a Screaming Soul the vocal, physical, and language construction in The Whale

  Jane Celeste Guberfain, Jacyan Castilho, Gabriela Freire; Priscilla Gil

  42-65

• I touch-I breathe-I move-I voice-I speak Somatic logos toward social care

  Christina Kapadocha

  34-51

• I touch-I breathe-I move-I voice-I speak Somatic logos toward social care

  Christina Kapadocha; Diego Pizarro

  318-336

• Imagination at Voice-Body Movement Integration Work

  Sandra Parra

  35-46

• Infantilized Voice in the Clown

  Guilherme Bruno de Lima, César Lignelli

  59-80

• Interview with Clowns de Shakespeare polyphony and polyphonic acting in the work of this theatre company since the meeting with the artist Ernani Maletta

  Vinícius Assunção Albricker

  266-295

• Interview with Grupo Galpão polyphony and polyphonic acting in the work of this theatre company since the meeting with the artist Ernani Maletta

  Vinícius Assunção Albricker

  244-265

• Interview with Teatro da Pedra polyphony and polyphonic acting in the work of this theatre company since the meeting with the artist Ernani Maletta

  Vinícius Assunção Albricker

  296-321

• Introduction to Lessac's work in a university pedagogical context

  Maria Regina Tocchetto de Oliveira

  88-112

• Investigation of a teaching and learning process of Acting Through Song in Brazilian higher education

  Tiago Elias Mundim

  166-193

• Liquid Voices The Scenic Vocality on the show Chão de Águas

  Roseany Karimme Silva Fonseca

  131-149

• Listening voices vocal mímesis, orality and memory in creative and pedagogical processes

  Andréia Vieira Abdelnur Camargo

  94-113

• The Lyrical Word games and challenges of the rhyme in performance

  Sulian Vieira, Lucas Rodrigo dos Santos Silva

  47-71

• Mappings of the Actress-Poet-Singer in the Small singing funeral rite Minimal Odes for Hilda Hilst - Poesia Cantada Group

  Daniele Cristina Oliveira

  40-58

• A Máquina Desejante

  João Lucas, César Lignelli

  251-270

• Masthead

  Tiago Elias Mundim

  06-08

• Masthead

  Tiago Elias Mundim

  06-08

• Masthead

  Tiago Elias Mundim

  09-12

• Masthead

  Tiago Elias Mundim

  09-11

• Masthead

  Tiago Elias Mundim

  11-13

• Masthead

  Tiago Elias Mundim

  09-11

• Masthead

  Tiago Mundim

  10-12

• Masthead

  Tiago Elias Mundim

  15-17

• Masthead

  Tiago Elias Mundim

  20-22

• Masthead

  Tiago Elias Mundim

  09-11

• Masthead

  Tiago Elias Mundim

  14-16

• Memory, Ritual e Experience as main axes for the cartography of the Actress-Poet-Singer in the laps of the maze-map

  Daniele Cristina Oliveira

  283-293

• Miau, by Victor Flusser the challenges of rebuilding and assembling a composition

  Marisa Trench de Oliveira Fonterrada, Samuel Campos de Pontes, Paula Maria Aristides de Oliveira Molinari, Maria Cristina Martins Pereira, Lívia Pereira Martins, Ana Lúcia Iara Gaborim Moreira, Bruno Teixeira de Mello Millan, Márlon Souza Vieira

  119-146

• Milagre Comum its ethics and its poetics, its voices and its silences

  Mateus Nogueira de Farias Moura, Pamela Iris da Silva Freitas

  217-228

• Motriz

  Juliana Alves Mota Drummond, Maria Clara Guimarães Ferrer Carrilho, Vinícius Albricker

  240-263

• Moving Our Voices for Strength and Justice, Somatically

  Martha Eddy

  52-74

• Moving Our Voices for Strength and Justice, Somatically

  Martha Eddy; Diego Pizarro

  337-361

• Music and theatre approaches and diversions

  Bianco de Souza Marques

  204-220

• The Music(s) at Teatro Oficina

  Letícia Barbosa Coura

  27-52

• Musical practices and cissexism voice type

  Marcos Machado Chaves, Paulo Otávio Ribeiro Delgado

  182-197

• Musicality and Theater the Process of Creation in Outside, a Noir Musical

  Paula Alvarenga Otero

  107-131

• My our voice, Delicate Creatures

  Marcus Vinicius Fritsch de Almeida, Nara Waldemar Keiserman

  65-98

• O Naufrágio scenic installation created from excerpts from The Tempest by William Shakespeare and from O Marinheiro by Fernando Pessoa

  Sulian Vieira, Silvia Davini, César Lignelli

  258-282

• Nobody does samba because they prefer

  Ana Julia Toledo Netto

  147-165

• Ode to uprising

  Joanna Macoppi

  247-259

• Of Universal Silences the Circle of Silences as a tasting of time

  Ariane Guerra Barros, Aline Silva Vieira, Ana Carolina de Sousa Silva, Davi da Rocha Lima, Isabela Teles Pereira, Maria Luiza Machado dos Reis, Tatiana Kaori Honda

  71-90

• On Voice Movement Integration (VMI) practice awakening resonance in the moving body

  Christina Kapadocha, Patricia Bardi; Diego Pizarro

  207-222

• Open Mantle sound rituals of body and voice

  Roseany Karimme Silva Fonseca

  361-384

• Open this Door for Happiness to Enter body, songs, ancestry and affections

  Felícia de Castro Menezes

  145-162

• Out of Tuning a study about tuning requirements to theater’s actress and actor

  Adriana Fernandes

  72-87

• Past, present and future of Sound of the Aura, a creation by Hermeto Pascoal, with the collaboration of Jovino Santos Neto (1984-2022...)

  Luiz Costa-Lima Neto

  97-118

• Paths of the Voice

  Mayra Montenegro de Souza

  09-24

• The performance nights at the Festival Junino Jeca Tatu of Parauapebas

  Ivan Vale de Sousa

  174-202

• Plastic Personas the Makeup Voices in the Performing Arts

  Marcio Desideri

  178-203

• The pleasure of voice dancing and Contact Improvisation possibilities for a Voice Jam Session

  Valéria Cristina Machado Rocha

  257-270

• Poetic hacking Aesthetic infiltrations of political voices in controlled public spaces

  Renato Navarro

  58-75

• Polyphonic plane of composition montage and agency into a creative process

  Rodrigo Fischer

  160-177

• Polyphonic staging the exercise of polyphony as the foundation of the creative process in Theater

  Ernani Maletta

  221-243

• The polyphony of the soloist voice

  Francesca Della Monica

  148-159

• The power of sounds and words in the formation of the scene artist

  Claudia Mele

  180-195

• Principles for a poetics of scenic vocality

  José Batista (Zebba) Dal Farra Martins

  86-101

• Principles of vocal practices in the voice-movement relationship conversation with María Cristina Domínguez Dapena

  Aline Juliana Faustino da Silva, María Cristina Domínguez Dapena, Diego Pizarro

  406-414

• Proposals and concepts for Music and Scene disciplines studies at UFGD with decolonial research

  Marcos Machado Chaves

  91-105

• Proximity tests reflections and experiences on music education in Italy at the time of social distancing

  Luca Bertazzoni

  140-156

• The psychophysical dimension of the actor in the Linklater Voice Technique

  Danilo Souto Pinho

  75-87

• Queer Voices Technologies, Vocalities and the Musical Flaw

  Daiane Dordete , Mayra Montenegro de Souza, Alexandra de Melo, Cae Linn Beck da Silva, Leonardo Manschein da Cunha, Luiza Gutierrez Pinheiro

  226-249

• Radiofonias Space of Sound Inventions for Expanded Listenings

  Daiane Dordete , Maria Raquel da Silva Stolf, Guilherme Antônio Sauerbronn de Barros

  264-270

• Re-enchant the Voice on stage

  Daiane Dordete Steckert Jacobs

  215-224

• Resonances/vibrations and waves/radiation the African-diasporic songs of tradition in the work of Jerzy Grotowski through the Bantu-Kongo cosmoperception

  Luciano Mendes de Jesus, Sayonara Sousa Pereira

  88-117

• Revisiting the Sonority of the organism from The Organism Spectacle, from the Macaco Prego da Macaca Group, from the city Rio Branco/AC

  Dyonnatan Silva Costa

  135-153

• Semiotic Analysis of Room and Stage Music in Auto da Compadecida by Ariano Suassuna in Mato Grosso do Sul

  José Manoel de Souza Junior

  106-134

• Showrando poetic-performance devices of laugh and crying

  Roseany Karimme Silva Fonseca

  271-282

• Somatic Vocalities in Performance - the Dynamic Principle of Three Bases

  Sulian Vieira

  294-317

• Sonority of the Theatrical Scene The Experience of a Spectator-Researcher in the Acre Amazon

  Dyonnatan da Silva Costa

  104-120

• Sonorous Thing on Scene concept, functions and potentials

  Marcio Gonçalves Vieira, César Lignelli

  157-182

• Sound in the performance Erê Bebê environment and sound bath

  Fernando Aleixo, Mariene Hundertmarck Perobelli, Marco Flávio de Alvarenga

  81-93

• The sound of the piece Afluentes Acreanas from silence to noise

  Maria Jaqueline Nascimento das Chagas

  88-103

• The soundstage of pod-dramas in the contemporary Brazilian perspective

  Rodrigo Sacco Flores Almeida Teixeira, Suzane Weber da Silva

  76-96

• The soundtrack of the short film Guardiãs do Nascimento a poetic journey through the four elements of nature

  Janaína Träsel Martins, Carolina Bonelli

  216-239

• Stellar Bodies and Fake Brights somatic-vocal procedures in dance composition

  Diego Pizarro

  258-293

• Stellar Bodies and Fake Brilliants

  Diego Pizarro

  437-462

• The Suffragette's Maid discourse, cultural production and reception in a black female spectacle

  Naiara Gonçalves de Almeida, Gabriela Porfírio

  126-144

• Sung Knowledge brazilian africanities as a power of vocal production for the stage

  Celina Nunes de Alcântara, Pâmela Amaro Fontoura

  66-85

• Technical object # 2: Microphone

  Luciana Leandro de Lucena, Carlos Henrique Barto Júnior, Luzia Eleonora Rohr Balaj

  254-257

• Technical Object #1: Gambiarra

  Edith de Camargo, Ana Cristine, Charles Feitosa, Shadiyah Venturi Becker

  250-253

• The Telephonist a communication system for telematic performance

  Iain Mott

  83-103

• That night it didn’t rain outside, it rained inside me composition report and conjectures about the autobiographical scene

  Pedro Barsalini, Juliana Alves Mota Drummond

  231-246

• The Actor and Augmented Listening A Sonic Weaving of Voices in The Bacchae of Euripides

  Ana Cristine Wegner, Chloé Larmet, Christophe D'Alessandro, Roberto Moura

  120-139

• The Northeastern Voice on the Scene experiences in the vocal preparation with Markers of the June Quadrille in João Pessoa (PB)

  Elthon Gomes Fernandes da Silva, Leneeton de Oliveira Silva, Mardeen Henrique de Souza Dantas, Miguel dos Santos Ferreira

  40-68

• The said and the unfinished in the scene words as uncertainties of a body in action

  André de Souza Macedo, Suelen Grimes, Leonardo Pontes Ferreira

  25-39

• To get closer to a song Pedagogical Duets

  Carlos Henrique Barto Júnior, Letícia Carvalho Gaspar de Moura

  113-132

• Towards musical theatre Maurício Xavier and Alessandra Maestrini’s trajectories

  Marlon Feliciano Ferreira, Thais dos Guimarães Alvim Nunes

  335-360

• Training and creation tracks in theatrical sound design notes from an amazon experience

  Thales Branche Paes de Mendonça

  17-40

• The transdisciplinarity of the person who sings on stage theoretical conjectures and pedagogical practices

  Sofia Freitas Santos Oliveira, Pedro Barsalini , Juliana Alves Mota Drummond

  162-194

• Tropicalismo, Terra em Transe, O Rei da Vela... denial of the guitar... so it is, says Caetano, an anthropophagic attitude

  Domingos Sávio Ferreira de Oliveira

  166-184

• Vaga Carne Voice and Dramaturgy of a “Scenery Body”

  Flávia Andresa Oliveira de Menezes, André Luiz Antunes Netto Carreira

  74-93

• Violets in Disassembly Going Back to Talking is Going Back to Living

  Mayra Montenegro de Souza

  39-50

• The Vocal Action at Play possible methodological strategies for the discipline of Vocal Expression in Theatre

  Istéfani Pontes da Costa, Ernani de Castro Maletta

  08-21

• Vocal creativity laboratory topics for a reflection on actor learning

  Lara Barbosa Couto

  240-256

• The vocal performance of the Caretas in the Reisada of Nazaré do Bruno (Caxias/MA)

  Flávia Andresa Oliveira de Menezes

  166-181

• Vocal poetics and women's narratives experiences lived in the discipline Creating Voices, Narrating Women

  Karina Veloso Pinto

  26-38

• Vocal warm-up a short conversation with Eládio Pérez-González

  Eugênio Tadeu Pereira

  231-241

• The vocality in a teacher-becoming in the performing arts resound memories and subjectivities, confabulate enchantments

  Franciele Machado de Aguiar

  63-74

• Voice and Sensitivity A Poetics of the Impossible

  Renata Mendonça Sanchez, Gina Maria Monge Aguilar

  195-214

• The voice as a poetic and political resource in the performance of a black and peripheral transvestite

  Kika Sena do Nascimento

  13-35

• Voice as performance a phenomenological experience of the poetic act of counting and doular

  Marluce Cristina Araújo Silva, Ivone Maria Xavier de Amorim Almeida

  196-215

• The voice in Kozana Lucca a possible ecological turn

  Paula Maria Aristides de Oliveira Molinari, María Josefina Azócar Fuentes

  163-179

• Voice in movement a study of sound-motor meta-perspective gathering contemporary dance, music and technology

  Andréia Vieira Abdelnur Camargo

  94-113

• Voice in pieces reappropriation of the fable through absences

  Carlos Eduardo Guimarães Medeiros

  51-62

• The voice in scene in the language Hãtxa Kuin for non indigenous people Poetic and political perspectives

  Viviana de Souza Coletty

  114-132

• Voice, myth and territory decolonial proposals for a Huni Kuin scene within the Amazon University

  Viviana de Souza Coletty

  56-87

• Voices Bodies in Motion

  Paula Cristina Masoero Ernandes

  45-57

• Voices heard by themselves, creating new worlds

  Elaine Barbosa dos Santos Ducroquet

  31-44

• Voices in AI - Ancestral Intelligence Cross-Crafts between Teaching Practice and Vocal Direction in Theater

  Roseany Karimme Silva Fonseca

  41-55

• Voices in Dialogue Interview with Giuliano Campo about Zygmunt Molik's praxis

  Pablo Magalhães, César Lignelli

  322-347

• Voices in Dialogue Interview with Giuliano Campo about the praxis of Zygmunt Molik

  Pablo Magalhães, César Lignelli

  203-230

• Voices without mouth mediated by technical objects in De Perto Uma Pedra

  Guilherme Mayer, César Lignelli

  13-33

• Voicing the Self, Performing Collectives Testimonio in Contemporary Argentine Theater

  Nahuel Telleria

  34-58

• Warung’s Conversations Lawar Kambing with I Nyoman Kariasa

  Igor de Almeida Amanajás, Marília Vieira Soares

  315-334

• The Weaver of Nights

  Sulian Vieira, César Lignelli

  264-282

• Weaving voices polyphony in the Oficcina Multimédia group

  Mônica Medeiros Ribeiro, Cássio Eduardo Viana Hissa

  14-26

• The word in power and musicality contributions of Music Education

  Jussara Fernandino

  185-208

• The Zen Barqueiro, Musical-Theatrical Games, and the Classes of Jean-Jacques Lemêtre in Brazil

  Marcello Amalfi

  177-199

• “I sing for me” Articulations about flows from releasing practices and from the contact with partners.

  Mariana Rosa e Silva Santos

  225-240