Eu toco-Eu respiro-Eu movo-Eu vocalizo-Eu falo

Logos somático rumo à assistência social

Autores

DOI:

https://doi.org/10.26512/vozcen.v5i01.54583

Palavras-chave:

Práticas somáticas, Logos somático, Assistência Social, Intercorporalização, Prática como Pesquisa

Resumo

Este artigo desenvolve o conceito da autora de logos somático como um enquadramento práxico intercorporalizado que facilita as inter-relações entre vozes individuais e coletivas. A autora se baseia em seu projeto de Prática como Pesquisa (PaR), From Haptic Deprivation to Haptic Possibilities, e utiliza as oficinas em grupo do projeto Are We Still in Touch? como estudo de caso. As oficinas investigam como o toque autodirigido (iniciado e gerido pela própria pessoa) pode apoiar o senso de cuidado, bem-estar e expressão criativa em meio às mudanças sociais catalisadas pela pandemia. Os resultados da investigação sugerem que a escuta somática a si próprio se estende a um sentido intercorporalizado de cuidado com potencial para um impacto social mais amplo.

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Biografia do Autor

Christina Kapadocha, East 15 Acting School, University of Essex - Loughton, United Kingdom

Christina Kapadocha (PhD) is a London-based theatre and somatic practitioner-researcher, a Registered Somatic Movement Educator, and the founder of Somatic Acting Process®. She is a first-class Greek National Theatre (GNT) Drama School (Dip. Acting, 2008) and East 15 Acting School (MA Acting International, 2011) graduate under a full-time scholarship. Christina has been working as an actress, director, and movement director in Greece and the UK since 2007, and she was awarded a fully funded PaR PhD from Royal Central School of Speech and Drama (RCSSD) in 2016. Currently, she is a Lecturer in Movement for Acting and Research at East 15 Acting School, University of Essex. Her practice-research projects and publications focus on the contributions of somatically inspired practices to theatre- performing environments and beyond. She is the editor of Somatic Voices in Performance Research and Beyond (Routledge, 2021) and an associate editor for the Theatre, Dance and Performance Training journal.

Referências

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BELLARD, Asleigh et al. Vicarious ratings of self vs. other-directed social touch in women with and recovered from Anorexia Nervosa. Scientific Reports, v. 12, article n. 13429, August 2022. Available at: https://doi.org/10.1038/s41598-022-17523-2. Accessed in: June 21, 2024.

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CHARI, Anita. Vocal resonance and the politics of intercorporeality. In: KAPADOCHA, Christina (editor). Somatic voices in performance research and beyond. Abingdon, Oxon: Routledge, 2021. p. 198-211.

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KAPADOCHA, Christina (ed.). Somatic voices in performance research and beyond. Abingdon, Oxon: Routledge, 2021a.

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KAPADOCHA, Christina. Tactile renegotiations in actor training: what the pandemic taught us about touch. Theatre, Dance and Performance Training, Abingdon, Oxon, Routledge, v. 14, n. 2, p. 201-215, June 2023.

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Voz e Cena - volume 05 número 01 - janeiro a junho de 2024

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Publicado

31-07-2024

Como Citar

Kapadocha, C. (2024). Eu toco-Eu respiro-Eu movo-Eu vocalizo-Eu falo: Logos somático rumo à assistência social. Voz E Cena, 5(01), 34–51. https://doi.org/10.26512/vozcen.v5i01.54583

Edição

v. 5 n. 01: Voz e Cena (jan-jun/2024)

Seção

Dossiê Temático - Artigos

Categorias

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Copyright (c) 2024 Voz e Cena

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