Vol. 1 No. 37 (2020): Dossiê História & Cinema

View Vol. 1 No. 37 (2020): Dossiê História & Cinema

DOI: https://doi.org/10.26512/emtempos.v1i37

Published: 2020-12-03

Editorial

Editorial

Artur Nogueira Santos e Costa
- PDF (Português (Brasil))

Dossiê

Apresentação do Dossiê História & Cinema

Angela Aparecida Teles
- PDF (Português (Brasil))
The Coloniality and Emancipation in the movie Emitai of Sembène Ousmane (Senegal, 1970’s)

Vinícius Pinto Gomes
- PDF (Português (Brasil))
Representations of the African Continent on Hollywood Cinema Screens

Renata Barbosa Melo do Nascimento
- PDF (Português (Brasil))
...Gone With the Wind cinema, racism and silencing about the slavery abolition in the United States Civil War

Vanessa de Araújo Andrade
- PDF (Português (Brasil))
Colonialism as a laboratory “The Battle of Algiers” and torture as a political control Project

Leonardo Bentes Rodrigues
- PDF (Português (Brasil))
The Afro-American Movement and the battles for memory a look from The Boondokcs

Tereza Maria Spyer Dulci, Vania Macarena Alvarado Sadivia
- PDF (Português (Brasil))
Cinema, history and education racism and history teaching in Assault on the pay train

Jairo Carvalho do Nascimento, Genilson Ferreira da Silva
- PDF (Português (Brasil))
The film Quilombo another black story.

Rafael Garcia Madalen Eiras
- PDF (Português (Brasil))
The movie out of the closet Lesbian Cinema based on the work of Adelia Sampaio

Bárbara Brognoli Donini
- PDF (Português (Brasil))
“I'm here making a movie” ethnic-racial relations and struggles for memory in Osvaldão (2014)

Janailson Macêdo Luiz
- PDF (Português (Brasil))
Hoje (2011) e Trago Comigo (2016) images of the strange alterity of the past

Vinícius Alexandre Rocha Piassi
- PDF (Português (Brasil))
Cinema in the military dictatorship an analysis of the film The nun and torture (1984)

Vinícius Viana Juchem
- PDF (Português (Brasil))
What can cinema do? History and politics in Cabra marcado para morrer (1984) by Eduardo Coutinho

Beatriz Costa Barreto, Marília Romero Campos
- PDF (Português (Brasil))
The documentary Dzi Croquettes (2009) and the construction of the marginal memory, the underground and the oblivion about the counterculture in the civil-military dictatorship in Brazil

Andrei Chirilã
- PDF (Português (Brasil))
Newsreels in historical perspective trajectory and political uses in Brazil

Isadora Dutra de Freitas
- PDF (Português (Brasil))
Discipline and order on the screens of Cine Jornal Brasileiro the “partners” in power during Estado Novo's regime

Alvaro Eduardo Trigueiro Americano, Letícia Barbosa Torres Americano
- PDF (Português (Brasil))
Persecuted by the Nation, exalted by cinema Communism in The May Revolution

Rebecca Ferreira Dias
- PDF (Português (Brasil))
Cinema and urban memory Estrutural documentary and narratives about the consolidation of Cidade Estrutural ”“ DF

Leila Saads
- PDF (Português (Brasil))
Enunciating Counter-Hegemony Candanga's Narratives of "Romance do Vaqueiro Voador"

Cristiane de Assis Portela, Anna Lorena Morais Silva
- PDF (Português (Brasil))
Body-City an analysis of the film “Um Crime Na Rua” by Olney São Paulo

Alisson Oliveira Soares de Santana, Luís Vitor Castro Júnior
- PDF (Português (Brasil))
Utopia and destruction, ruin and progress the social marginalized condition in the movie A Margem (1967), by Ozualdo Candeias

Vinícius da Cunha Bisterço
- PDF (Português (Brasil))
The prince and the poet the Russian and Transcaucase past through the lens of Sergei Eisenstein and Parajanov

Yuri Leonardo Rosa Stelmach, Lúcio Geller Junior
- PDF (Português (Brasil))
Filming is listening history, memory, and alterity in the documentary Santo forte (1999)

Vanda Fortuna Serafim, Gabriella Bertrami Vieira
- PDF (Português (Brasil))
The Cinema-History relationship theoretical and methodological foundations

Bruno José Yashinishi
- PDF (Português (Brasil))
Image, montage and history on Videograms of a Revolution by Harun Farocki and Andrei UjicÄƒ

Barbara Mangueira do Nascimento
- PDF (Português (Brasil))
History, sertão and becoming-sensitive in Cinema aspirins and vultures

Marcelo Fidelis Kockel
- PDF (Português (Brasil))
Arid Movies the encounter between Pierre Sorlin’s Methodology and the autochtonous northeastern hinterland films

Diogo Cavalcanti Velasco
- PDF (Português (Brasil))
The absurd minimalism in the animation Death and Life of a Severino by Afonso Serpa

Daniel Ferreira da Silva
- PDF (Português (Brasil))
Jazz as a Catalysis Element in Greek Tragedy, according to Friedrich Nietzsche, in the movie Crisis (1945) by Ingmar Bergman

Hellen Silvia Marques Gonçalves
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The Ancient Music as a narrative element in cinema an analysis of the Greek chorus in Electra (1962) and Disney’s Hercules (1997)

Felipe Nascimento de Araujo
- PDF (Português (Brasil))
Pink Floyd - The Wall a dystopia of self-isolation in the 1982 feature film

Franco Santos Alves da Silva
- PDF (Português (Brasil))
Movie’s operation in the History teachers training an experience in UEPG (2016-2018)

Luis Fernando Cerri, Rosângela Maria Silva Petuba
- PDF (Português (Brasil))
Public history and historical culture in contemporary audiovisual production

Josias José Freire Júnior
- PDF (Português (Brasil))
Oscar Wilde Goes to the Movies The framing of the dandy’s image in ‘Wilde’ (1997) and ‘Velvet Goldmine’ (1998)

Yuri Barbosa Resende
- PDF (Português (Brasil))
“A vacuum built on a void” East German cinema and the generational conflict over the past

Monaliza Caetano dos Santos
- PDF (Português (Brasil))
Honorable or infernal struggle? World War II from the films Tankers (2018) and Once More Unto the Breach (2019)

Andreza Santos Cruz Maynard
- PDF (Português (Brasil))
Conservatism in the Cinema of the 1980s analysis of the Film “Excalibur, the Sword of Power”

Ramiro Paim Trindade Junior
- PDF (Português (Brasil))
Mary Magdalene in the cinema the biblical epic films and the biopic of 2018

Talita Von Gilsa
- PDF (Português (Brasil))
Anarchism, conciliation and conflict in La Patagonia Rebelde (1974)

Maurício Knevitz, Alexandre Moroso Guilhão
- PDF (Português (Brasil))
The fetish of digital techno-productivity by Ken Loach the labour uberization in the film Sorry we missed you

Cíntia Medina, xxx xxx
- PDF (Português (Brasil))
The "historiographical turn" in film studies disruptions and continuities

Vanessa Montenegro
- PDF (Português (Brasil))
Before and beyond screens economy and cinematographic market in Latin American countries

Renata Santos Maia, Fernando Rodrigues Oliveira
- PDF (Português (Brasil))
Glauber Rocha and the relative autonomy of the artistic field the case of the documentary “Amazonas, Amazonas” (1966)

Rosiel do Nascimento Mendonça, Sérgio Ivan Gil Braga
- PDF (Português (Brasil))

Interview

The dive of the other against homophobia and transphobia, an interview with Émerson Maranhão

Carlos Renato Araujo Freire, Francisco das Chagas Fernandes Santiago Júnior
- PDF (Português (Brasil))

Research Notes

Violence as spectacle an analysis of the relation between mass media, justice and violence on Black Mirror

Marianne Lopes Braga Batista
- PDF (Português (Brasil))

Articles

The “Haitianist” accusations in the racialized brazilian society of the first half of the Nineteenth

Luã Pedro Rocha Carvalho
- PDF (Português (Brasil))
The trajectory of the Brazilian Labor Party in Bahia first readings

Hebert Santos Oliveira
- PDF (Português (Brasil))