“Sim, há uma”: tradução e performance em português de “See-line woman”, a partir de uma interpretação de Nina Simone
DOI :
https://doi.org/10.26512/belasinfieis.v9.n2.2020.27049Mots-clés :
Tradução. Performance. Nina Simone. Oralidade.Résumé
“See-line Woman”, peça musical de tradição oral norte-americana, foi registrada em 1939, recolhida e reproduzida em diferentes performances orais, tais como as de Leslie Feist (2007), e Nina Simone (1964). Tomando como original a gravação constante no álbum Mississipi Goddam (1964), de Nina Simone, e evidenciando a dubiedade de som e sentido que o registro da letra ”“ tradução da oralidade ”“ pode evidenciar, abordarei alguns problemas atinentes à tradução de canção para performance quando me deparo com um original que tensiona a letra da canção registrada de maneira distinta à s outras versões oralizadas de 1939 e de 2007.
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Références
FLORES, Guilherme Gontijo. Posfácio: A diversão tradutória. In: FLORES, Guilherme Gontijo. Elegias de Sexto Propércio. São Paulo: Autêntica, 2014. pp. 515-604.
NINA SIMONE. The official home of Nina Simone/The high priestess of Soul. Disponível em: http://www.ninasimone.com/. Acesso em: 20 jul. 2016.
SIMONE, Nina. Brodway, Blues, Ballads. Phillips, 1964.
THE NINA SIMONE DATABASE. Disponível em: http://www.boscarol.com/ninasimone/pages/php/alb_orig.php. Acesso em: 20 nov. 2018.
WADE, Stephen. The Beautiful Music All Around Us: Field Recordings and the American Experience. Chicago: Univ. of Illinois Press, 2012.
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