Patrick Modiano en español: el caso de Dora Bruder
DOI:
https://doi.org/10.26512/belasinfieis.v8.n2.2019.24383Palabras clave:
Modiano. Traducción editorial. Dora Bruder. Posmemoria.Resumen
La obra de Patrick Modiano se caracteriza por una exploración de la topografía parisina como estrategia de reelaboración de una memoria que precede al nacimiento del autor. Modiano reconstruye el pasado francés ligado al período de la Ocupación alemana a través de la topografía parisina actual: la evocación de los barrios y lugares de París y su frecuentación permite a los narradores de Modiano entrar en contacto con el pasado y con los personajes que alguna vez los habitaron. La presente contribución propone un análisis crítico de la traducción al español que María Pino realizó para la editorial Seix Barral de Dora Bruder ([1997] 2014) de Patrick Modiano para indagar los problemas, dislocaciones y desplazamientos que se presentan a la hora de traducir esta topografía de la posmemoria (HIRSCH, 1997).
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