ÁGUA VIVA: SCULPTURAL POETICS ”“
APPROACHES BETWEEN CLARICE LISPECTOR AND LYNDA BENGLIS
DOI:
https://doi.org/10.26512/cerrados.v29i54.31628Palabras clave:
Água viva. Sculpture. Creative process., Lynda Benglis.Resumen
Descargas
Los datos de descargas todavía no están disponibles.
Citas
ALBERTI, Leon Battista. De statua. In: _____. On Painting and Sculpture. Translation by Phaidon Press London: 1972.
ALVAREZ, Ana Cecilia. Bend it Like Benglis. The New Inquiry, Oct. 20, 2014. Available from: <https://thenewinquiry.com/bend-it-like-benglis/>, access on May 2, 2020.
AMARAL, Emília. O leitor segundo G. H. Cotia: Ateliê Editorial, 2005.
BACHELARD, Gaston. Introdução à dinâmica da paisagem. In: O direito de sonhar. 2 ed. Translation by José Américo Motta Pessanha. São Paulo: Difel, 1986.
____________________. Water and dreams: An Essay on The Imagination of Matter. Translated by Edith Farrell. Dallas: Pegasus Foundation; The Dallas Institute of Humanities and Culture, 1983.
BERGSON, Henri. Cartas, conferências e outros escritos. Translation by Franklin Leopoldo e Silva. 2 ed. São Paulo: Abril Cultural, 1984.
BLANCHOT, Maurice. O espaço literário. Translation by Álvaro Cabral. Rio de Janeiro: Rocco, 1987.
BOOKHARDT, Eric. Lynda Benglis: I Choose My Dreams. In: Sculpture: A Publication of the International Sculpture Center, Apr. 1, 2017. Available from: <https://sculpturemagazine.art/lynda-benglis-i-choose-my-dreams/>, access on May 2 2020.
BORELLI, Olga. Clarice Lispector: esboço para um possível retrato. Rio de Janeiro: Nova Fronteira, 1981.
BUETI, Federica. Lynda Benglis. Bomb Magazine, Dec. 15, 2016. Available from: <https://bombmagazine.org/articles/lynda-benglis/>, access on May 2, 2020.
CHAVE, Anna C. Lynda Benglis: Everything Flows (1980-2013). Philadelphia: Lock Arts Publication, 2013. pp. 5-20.
CHEIM & READ. A Survey: Sculpture 1969 to 2004 (Feb. 2004). Available from: <https://www.cheimread.com/exhibitions/lynda-benglis_2>, access on May 2, 2020.
FERREIRA, Teresa Cristina M. Eu sou uma pergunta: uma biografia de Clarice Lispector. Rio de Janeiro: Rocco, 1999.
GUERRA, José Augusto. Entrevista com Clarice Lispector. Rio de Janeiro, Correio da Manhã, 6 mar. 1972, pp. 4-5.
GOTLIB, Nádia Batella. Clarice, uma vida que se conta. 2 ed. São Paulo: Ática, 1995.
HESIOD. Theogony. 2 ed. Translation, introduction, and notes by Richard Caldwell. Cambridge (MA): Focus Publishing / R. Pullins Company, 1987.
HUDDLESTON, Yvete. Lynda Benglis: Off the wall by nature. The Yorkshire Post, Feb. 22, 2015. pp. 1-5.
JONES, Amelia. Postfeminism, Feminists Pleasures, and Embodied Theories of Art. In: FRUCH, J.; LANGER, C.; RAVEN, A (ed). New Feminism Criticism: Art, Identity, Action. New York: Icon Editions, 1994, pp. 16-41.
JOYCE, James. Finnegans Wake. New York: Penguin Books, 1967.
KANDINSKY, Wassily. Concerning the Spiritual in Art. Translated by M. T. H Sadler. New York: Dover Publications, 1977.
KARNES, Andrea et. al. Modern Art Museum of Forth Worth 110. Translated by Michael Auping. Tempe: Third Millennium Publications, 2002.
LINS, Álvaro. A experiência incompleta: Clarisse Lispector (1944). In: Os mortos de sobrecasaca: ensaios e estudos (1940-60). Rio de Janeiro: Civilização Brasileira, 1963.
LIPPARD, Lucy R. Making Up: Role Playing and Transformation in Women’s Art. In: Ms. Magazine, Oct. 1975, n. 4, p. 101-108. Available from: <https://arcade.nyarc.org/record=b1148166~S2>, access on May 2, 2020.
LISPECTOR, Clarice. A hora da estrela. 9 ed. Rio de Janeiro: Nova Fronteira, 1985.
_________________. A maçã no escuro. Rio de Janeiro: Rocco, 1998.
_________________. Água viva. Rio de Janeiro: Editora Artenova, 1973.
_________________. Água viva. Translated by Stefan Tobler; edited by Benjamin Moser. New York: New Directions, 2012.
_________________. Perto do coração selvagem. 10 ed. Rio de Janeiro: Nova Fronteira, 1980.
MATA, J. L. Vivência da arte da pintura do ventre materno por profissionais e gestantes: histórias, emoções e significados. [Tese de Doutorado]. Campinas: Universidade Estadual de Campinas, 2017. Available from: <http://repositorio.unicamp.br/jspui/handle/REPOSIP/332878>, access on May 2, 2020.
MEYER, Richard. Bone of Contention. In: Lynda Benglis. Dijon: Le Presses Du Réel, 2009, pp.63-66.
_______________. Miss Lynda: on Lynda Benglis’s Klaus, 1975 (pp. 178-181). In: Locks Gallery, Jan 1, 2010. Available from: <http://www.locksgallery.com/attachment/en/558176bf278e1af86c88ecaf/Press/55c10e1c4ad7504f240626dc>, access on May 2, 2020.
MICHELANGELO. The Love Poems of Michelangelo. Translated and introduced by James Cowan. Queensland: The University of Queensland Editions, 2017.
MIGLIACCIO, Luciano. Poemas de mármore: Michelangelo escultor e poeta nas Lezioni de Benedetto Varchi. Revista Brasileira de História, São Paulo, v. 18, n. 35, 1998, p. 207-216. Available from <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01881998000100009&lng=en&nrm=iso>. access on May 2, 2020.
MOISÉS, Massaud. Clarice Lispector contista. In: Temas Brasileiros. São Paulo: Comissão Estadual de Cultura, 1964.
NIMPTSCH, Emily. The Oozing, Undulating Forms of Lynda Benglis. In: Blum & Poe, Los Angeles, Dec. 16 2017. Available from: <https://www.riotmaterial.com/the-oozing-undulating-forms-of-lynda-benglis/>. access on May 2, 2020.
NUNES, Benedito. O dorso do tigre. São Paulo: Perspectiva, 1969.
PARINAUD, André. Por que sou escultor: entrevista de Alberto Giacometti a André Parinaud. Translation by C. Euvaldo. São Paulo, Novos Estudos, n. 34, nov. 1992, p. 72.
PATEMAN, Daniel. Lynda Benglis: In the Realm of the Senses. In: The Brooklyn Rail, Feb. 05, 2020. Available from: <https://brooklynrail.org/2020/02/artseen/In-the-Realm-of-the-Senses>. access on May 2, 2020.
PAVIA, Will. Lynda Benglis: The Woman who Refused to Take her Clothes off for Warhol. The Times, Feb. 23, 2015. Available from: <https://www.thetimes.co.uk/article/lynda-benglis-the-woman-who-refused-to-take-her-clothes-off-for-warhol-bc6vvbxq3f6>. access on 02 May 2020.
PERREAULT, John. Earth and Fire, Mendieta’s body of work. In: _________; BARRERAS, Petra. Ana Mendieta: a Retrospective. New York: The New Museum of Contemporary Art, 1987, pp. 10-27.
PESSOA, Fernando. The Book of Disquietude: By Bernardo Soares, Assistant Bookkeeper in the City of Lisbon. 4 ed. Translation and edition by Richard Zenith. Michigan: University of Michigan Press, 1996.
PRAZERES, Lílian Lima Gonçalves dos. Femininos, identidades e trânsitos em narrativas de Clarice Lispector. [Dissertação]. Vitória: Universidade Federal do Espírito Santo, 2015.
RICHMOND, Susan. Lynda Benglis, Beyond Process. New York: Tauris: 2013.
RONCADOR, Sônia. Poéticas do empobrecimento: a escrita derradeira de Clarice Lispector. São Paulo: Annablume, 2002.
ROSENTHAL, Erwin Theodor. In: O universo fragmentário. Translation by Marion Fleischer. São Paulo: Ed. Nacional/Edusp, 1975.
RUPPRECHT, Caroline. Womb Fantasies: Subjective Architectures in Postmodern Literature, Cinema, and Art Paperback. Chicago: Northwestern University Press, 2013.
SANT’ANNA, Afonso Romano de. Análise estrutural de romances brasileiros. Petrópolis: Vozes, 1974.
SCHJELDAHL, Peter. Lynda Benglis: Body and Soul. In: Lynda Benglis: 1968”“1978. Tampa: University of South Florida, 1980.
SHEETS, Hilarie M. A Life of Melting the Statu Quo. In: The New York Times, Apr. 15, 2014, pp. 4-5.
SEARLE, Adrian Searle. Lynda Benglis Review: All Vitality and Good Dirty Fun. In: The Guardian, Feb. 5, 2015. Available from: <https://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-review-good-dirty-fun>, access on May 2, 2020.
STORM KING ART CENTER (SKAC). Lynda Benglis: Water Sources. Exposition ”“ May 16 ”“ Nov. 8, 2015. Available from: <https://stormking.org/exhibitions/benglis/about.html>. access on 02 May 2020.
VIANNA, Lúcia Helena Vianna. Tinta e sangue: o diário de Frida Kahlo e os ‘quadros’ de Clarice Lispector. In: ZILBERMAN, Regina (org.). Clarice Lispector, a narração do indizível. Porto Alegre: Artes e Ofícios/Edipuc/Instituto Cultural Judaico Marc Chagal, 1998.
ZWICK, Tracy. Dancing with Clay: an Interview with Lynda Benglis. Art in America, Jan. 21, 2014. Available from: <https://www.artnews.com/art-in-america/interviews/dancing-with-clay-an-interview-with-lynda-benglis-56370/ >. access on 02 May 2020.
ALVAREZ, Ana Cecilia. Bend it Like Benglis. The New Inquiry, Oct. 20, 2014. Available from: <https://thenewinquiry.com/bend-it-like-benglis/>, access on May 2, 2020.
AMARAL, Emília. O leitor segundo G. H. Cotia: Ateliê Editorial, 2005.
BACHELARD, Gaston. Introdução à dinâmica da paisagem. In: O direito de sonhar. 2 ed. Translation by José Américo Motta Pessanha. São Paulo: Difel, 1986.
____________________. Water and dreams: An Essay on The Imagination of Matter. Translated by Edith Farrell. Dallas: Pegasus Foundation; The Dallas Institute of Humanities and Culture, 1983.
BERGSON, Henri. Cartas, conferências e outros escritos. Translation by Franklin Leopoldo e Silva. 2 ed. São Paulo: Abril Cultural, 1984.
BLANCHOT, Maurice. O espaço literário. Translation by Álvaro Cabral. Rio de Janeiro: Rocco, 1987.
BOOKHARDT, Eric. Lynda Benglis: I Choose My Dreams. In: Sculpture: A Publication of the International Sculpture Center, Apr. 1, 2017. Available from: <https://sculpturemagazine.art/lynda-benglis-i-choose-my-dreams/>, access on May 2 2020.
BORELLI, Olga. Clarice Lispector: esboço para um possível retrato. Rio de Janeiro: Nova Fronteira, 1981.
BUETI, Federica. Lynda Benglis. Bomb Magazine, Dec. 15, 2016. Available from: <https://bombmagazine.org/articles/lynda-benglis/>, access on May 2, 2020.
CHAVE, Anna C. Lynda Benglis: Everything Flows (1980-2013). Philadelphia: Lock Arts Publication, 2013. pp. 5-20.
CHEIM & READ. A Survey: Sculpture 1969 to 2004 (Feb. 2004). Available from: <https://www.cheimread.com/exhibitions/lynda-benglis_2>, access on May 2, 2020.
FERREIRA, Teresa Cristina M. Eu sou uma pergunta: uma biografia de Clarice Lispector. Rio de Janeiro: Rocco, 1999.
GUERRA, José Augusto. Entrevista com Clarice Lispector. Rio de Janeiro, Correio da Manhã, 6 mar. 1972, pp. 4-5.
GOTLIB, Nádia Batella. Clarice, uma vida que se conta. 2 ed. São Paulo: Ática, 1995.
HESIOD. Theogony. 2 ed. Translation, introduction, and notes by Richard Caldwell. Cambridge (MA): Focus Publishing / R. Pullins Company, 1987.
HUDDLESTON, Yvete. Lynda Benglis: Off the wall by nature. The Yorkshire Post, Feb. 22, 2015. pp. 1-5.
JONES, Amelia. Postfeminism, Feminists Pleasures, and Embodied Theories of Art. In: FRUCH, J.; LANGER, C.; RAVEN, A (ed). New Feminism Criticism: Art, Identity, Action. New York: Icon Editions, 1994, pp. 16-41.
JOYCE, James. Finnegans Wake. New York: Penguin Books, 1967.
KANDINSKY, Wassily. Concerning the Spiritual in Art. Translated by M. T. H Sadler. New York: Dover Publications, 1977.
KARNES, Andrea et. al. Modern Art Museum of Forth Worth 110. Translated by Michael Auping. Tempe: Third Millennium Publications, 2002.
LINS, Álvaro. A experiência incompleta: Clarisse Lispector (1944). In: Os mortos de sobrecasaca: ensaios e estudos (1940-60). Rio de Janeiro: Civilização Brasileira, 1963.
LIPPARD, Lucy R. Making Up: Role Playing and Transformation in Women’s Art. In: Ms. Magazine, Oct. 1975, n. 4, p. 101-108. Available from: <https://arcade.nyarc.org/record=b1148166~S2>, access on May 2, 2020.
LISPECTOR, Clarice. A hora da estrela. 9 ed. Rio de Janeiro: Nova Fronteira, 1985.
_________________. A maçã no escuro. Rio de Janeiro: Rocco, 1998.
_________________. Água viva. Rio de Janeiro: Editora Artenova, 1973.
_________________. Água viva. Translated by Stefan Tobler; edited by Benjamin Moser. New York: New Directions, 2012.
_________________. Perto do coração selvagem. 10 ed. Rio de Janeiro: Nova Fronteira, 1980.
MATA, J. L. Vivência da arte da pintura do ventre materno por profissionais e gestantes: histórias, emoções e significados. [Tese de Doutorado]. Campinas: Universidade Estadual de Campinas, 2017. Available from: <http://repositorio.unicamp.br/jspui/handle/REPOSIP/332878>, access on May 2, 2020.
MEYER, Richard. Bone of Contention. In: Lynda Benglis. Dijon: Le Presses Du Réel, 2009, pp.63-66.
_______________. Miss Lynda: on Lynda Benglis’s Klaus, 1975 (pp. 178-181). In: Locks Gallery, Jan 1, 2010. Available from: <http://www.locksgallery.com/attachment/en/558176bf278e1af86c88ecaf/Press/55c10e1c4ad7504f240626dc>, access on May 2, 2020.
MICHELANGELO. The Love Poems of Michelangelo. Translated and introduced by James Cowan. Queensland: The University of Queensland Editions, 2017.
MIGLIACCIO, Luciano. Poemas de mármore: Michelangelo escultor e poeta nas Lezioni de Benedetto Varchi. Revista Brasileira de História, São Paulo, v. 18, n. 35, 1998, p. 207-216. Available from <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01881998000100009&lng=en&nrm=iso>. access on May 2, 2020.
MOISÉS, Massaud. Clarice Lispector contista. In: Temas Brasileiros. São Paulo: Comissão Estadual de Cultura, 1964.
NIMPTSCH, Emily. The Oozing, Undulating Forms of Lynda Benglis. In: Blum & Poe, Los Angeles, Dec. 16 2017. Available from: <https://www.riotmaterial.com/the-oozing-undulating-forms-of-lynda-benglis/>. access on May 2, 2020.
NUNES, Benedito. O dorso do tigre. São Paulo: Perspectiva, 1969.
PARINAUD, André. Por que sou escultor: entrevista de Alberto Giacometti a André Parinaud. Translation by C. Euvaldo. São Paulo, Novos Estudos, n. 34, nov. 1992, p. 72.
PATEMAN, Daniel. Lynda Benglis: In the Realm of the Senses. In: The Brooklyn Rail, Feb. 05, 2020. Available from: <https://brooklynrail.org/2020/02/artseen/In-the-Realm-of-the-Senses>. access on May 2, 2020.
PAVIA, Will. Lynda Benglis: The Woman who Refused to Take her Clothes off for Warhol. The Times, Feb. 23, 2015. Available from: <https://www.thetimes.co.uk/article/lynda-benglis-the-woman-who-refused-to-take-her-clothes-off-for-warhol-bc6vvbxq3f6>. access on 02 May 2020.
PERREAULT, John. Earth and Fire, Mendieta’s body of work. In: _________; BARRERAS, Petra. Ana Mendieta: a Retrospective. New York: The New Museum of Contemporary Art, 1987, pp. 10-27.
PESSOA, Fernando. The Book of Disquietude: By Bernardo Soares, Assistant Bookkeeper in the City of Lisbon. 4 ed. Translation and edition by Richard Zenith. Michigan: University of Michigan Press, 1996.
PRAZERES, Lílian Lima Gonçalves dos. Femininos, identidades e trânsitos em narrativas de Clarice Lispector. [Dissertação]. Vitória: Universidade Federal do Espírito Santo, 2015.
RICHMOND, Susan. Lynda Benglis, Beyond Process. New York: Tauris: 2013.
RONCADOR, Sônia. Poéticas do empobrecimento: a escrita derradeira de Clarice Lispector. São Paulo: Annablume, 2002.
ROSENTHAL, Erwin Theodor. In: O universo fragmentário. Translation by Marion Fleischer. São Paulo: Ed. Nacional/Edusp, 1975.
RUPPRECHT, Caroline. Womb Fantasies: Subjective Architectures in Postmodern Literature, Cinema, and Art Paperback. Chicago: Northwestern University Press, 2013.
SANT’ANNA, Afonso Romano de. Análise estrutural de romances brasileiros. Petrópolis: Vozes, 1974.
SCHJELDAHL, Peter. Lynda Benglis: Body and Soul. In: Lynda Benglis: 1968”“1978. Tampa: University of South Florida, 1980.
SHEETS, Hilarie M. A Life of Melting the Statu Quo. In: The New York Times, Apr. 15, 2014, pp. 4-5.
SEARLE, Adrian Searle. Lynda Benglis Review: All Vitality and Good Dirty Fun. In: The Guardian, Feb. 5, 2015. Available from: <https://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-review-good-dirty-fun>, access on May 2, 2020.
STORM KING ART CENTER (SKAC). Lynda Benglis: Water Sources. Exposition ”“ May 16 ”“ Nov. 8, 2015. Available from: <https://stormking.org/exhibitions/benglis/about.html>. access on 02 May 2020.
VIANNA, Lúcia Helena Vianna. Tinta e sangue: o diário de Frida Kahlo e os ‘quadros’ de Clarice Lispector. In: ZILBERMAN, Regina (org.). Clarice Lispector, a narração do indizível. Porto Alegre: Artes e Ofícios/Edipuc/Instituto Cultural Judaico Marc Chagal, 1998.
ZWICK, Tracy. Dancing with Clay: an Interview with Lynda Benglis. Art in America, Jan. 21, 2014. Available from: <https://www.artnews.com/art-in-america/interviews/dancing-with-clay-an-interview-with-lynda-benglis-56370/ >. access on 02 May 2020.
Descargas
Publicado
2020-11-23
Cómo citar
Aires Franceschini, M. (2020). ÁGUA VIVA: SCULPTURAL POETICS ”“ : APPROACHES BETWEEN CLARICE LISPECTOR AND LYNDA BENGLIS. Revista Cerrados, 29(54), 169–183. https://doi.org/10.26512/cerrados.v29i54.31628
Número
Sección
Clarice Lispector: 100 años entre otros artes
Licencia
Derechos de autor 2020 Revista Cerrados
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Proibida a reprodução parcial ou integral desta obra, por qualquer meio eletrônico, mecânico, inclusive por processo xerográfico, sem permissão expressa do editor (Lei n. 9.610 de 19/2/1998 )
