A REESCRITURA DE THE COLOR PURPLE NO CINEMA:
UMA ANÁLISE DAS PERSONAGENS CELIE E SHUG
DOI :
https://doi.org/10.26512/belasinfieis.v4.n1.2015.11319Mots-clés :
Literatura Feminina Negra, Cinema, Tradução, PersonagemRésumé
Neste trabalho, analisamos a tradução das personagens Celie e Shug do romance de Alice Walker, The Color Purple (1982), para sua adaptação fílmica de 1985, dirigido por Steven Spielberg. Especificamente, investigamos a reescritura do relacionamento homoafetivo entre as personagens, no cinema, uma vez que se trata do amor entre duas mulheres negras no início do século XX. Diante de aspectos suscitadores de discussões polêmicas ”“ ser mulher, ser negra, ser homossexual ”“ percebemos a dificuldade de adaptar tais personagens para o meio cinematográfico. Acreditamos, portanto, que, devido a exigências mercadológicas diferentes das que regem a Literatura e considerando a época em que foi lançado, o filme suaviza algumas cenas em que Celie e Shug demonstram o amor que sentem uma pela outra. Assim, utilizando os Estudos Descritivos da Tradução (TOURY, 2012), objetivamos investigar quais estratégias foram utilizadas no processo de tradução de situações que demonstram esta relação afetiva, observando como o filme lida com a proposta de Walker, que busca evidenciar a mulher negra e sua trajetória de luta contra a discriminação gênero-racial.
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Références
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SPILBERG, Steven. dir. The Color Purple [A Cor Púrpura]. Com Danny Glover, Whoopi Goldberg, Margaret Avery, Oprah Winfrey, Willard E. Pugh e Akosua Busia. Premiun Edition, 2 discos. USA: Amblin Entertainment, Guber-Peters Company, 1985, 152 min.
STAM, Robert. Beyond Fidelity: The Dialogics of Adaptation. In: NAREMORE, James. (ed.). Film Adaptation. New York: The Athlone Press, 2011.
TOURY, Gideon. Descriptive Translation Studies and Beyond. 2nd Expanded Edition. Amsterdam/Philadelphia: Jonh Benjamins, 2012.
WALKER, Alice. Vivendo pela Palavra. Tradução de Aulyde Soares Rodrigues. Rio de Janeiro: Rocco, 1988.
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____________. The Color purple. Florida: Harvest Books, 2003.
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