AS FIGURAS DE LINGUAGEM E SUAS TRADUÇÕES EM NOTRE-DAME DE PARIS:
A REPRESENTAÇÃO DA MONSTRUOSIDADE NO ESPAÇO OBSCURO DA MASMORRA
DOI:
https://doi.org/10.26512/belasinfieis.v2.n1.2013.11217Palabras clave:
tradução, figuras de linguagem, espaço monstruoso, Notre-Dame de ParisResumen
As figuras de linguagem são recursos estilísticos que podem enriquecer um texto. Victor Hugo, no capítulo “Lasciate ogni speranza” (“Deixai toda esperança”), da obra Notre-Dame de Paris, faz uso desse recurso para descrever o escuro, o terrível e o monstruoso espaço da masmorra, na qual Esmeralda foi presa. Objetiva-se aqui analisar as figuras de linguagem presentes no texto-fonte e que servem para caracterizar esse ambiente e, posteriormente, traduzi-las, a fim de verificar sua permanência e adequação no texto-alvo. Essa análise se apoiará nos estudos de Pierre Fontanier sobre as figuras de linguagem, e nos estudos de Paul Ricœur e Marivonne Boisseau, no que se refere à tradução. Para abordar o grotesco e a monstruosidade, partiremos das reflexões de Victor Hugo, Edmond Burke e Claude Kappler.
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