The apparatus in Concert for four pianos of Lolo & Sosaku

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DOI:

https://doi.org/10.26512/vozcen.v3i02.45452

Keywords:

Voices, Polyphony, Devices, Discourse

Abstract

This article aims to analyze the performance Concert for four pianos by Lolo and Sosaku. For this, initially, weaknesses and vocal possibilities are evoked. Then, a brief exposition of the concepts of polyphony, discourse and device is carried out, from the perspective used in this article. Finally, the following are investigated: the release of the duo, the video direction decisions, the name of the performance, the piano and the machines that play the pianos. During this path, it is argued that the discourses created by the duo of artists are developed, above all, due to the choices and relationships with the devices used.

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Author Biographies

Guilherme Mayer, Universidade de Brasília - UnB, Brasília/DF, Brasil

Doutorando em Processos Composicionais para Cena pelo Programa de Pós Graduação em Artes Cênicas (PPG-CEN) da Universidade de Brasília. Mestre em Artes Cênicas pelo mesmo programa. Bacharel em Interpretação Teatral pelo Departamento Artes Cênicas (CEN) da Universidade de Brasília. Pesquisador associado do Anthropology and Dance Laboratory (AnD Lab). Participante do Grupo de Pesquisa Vocalidade & Cena.

César Lignelli, Universidade de Brasília - UnB, Brasília/DF, Brasil

Associate Professor of Voice and Performance at the Performing Arts Department (CEN) and the Postgraduate Programs in Art (PPG-Arte) and Postgraduate Programs in Performing Arts (PPG-CEN) at the University of Brasília. Post-Doctorate by the Advanced Program of Contemporary Culture at the Federal University of Rio de Janeiro (2014 - 2015). He holds a PhD in Education and Communication, FE / Universidade de Brasília (2011); Master in Art and Technology in the research line Compositional Processes for the Scene, IDA / UnB (2007); Graduated in Performing Arts at the Federal University of the State of Rio de Janeiro (2000). Leader of the Vocalidade & Cena Research Group (CNPq since 2003). Editor of the Journal Voz e Cena. Member of the VASTA Voice and Speech Trainers Association (since 2016). Author of the book Sons e (m) Cenas (2014 and 2019 - second edition), co-organizer of the book Práticas, Poéticas e Reverios Vocales (2019) and numerous articles published in qualified journals. Researches and guides themes involving sounds, aesthetics and pedagogies. Spoken and sung word. Glossolalias.Vocalities and education. Vocalities and movement. Vocalities and technologies. Vocalities and culture. Sound. Scene music. Scenic music. He regularly develops aesthetic productions in partnership with the theater groups Desvio, Sutil Ato, alaOca, Teatro do Concreto and Trupe dos Argonautas. Since 2017, together with Grupo Desvio, he has traveled with DeBanda through Brazil, Singapore, Argentina, Uruguay, Paraguay, Chile and Peru.

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Voz e Cena - volume 03 número 02 - julho a dezembro de 2022

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Published

2022-12-31

How to Cite

Mayer, G., & Lignelli, C. (2022). The apparatus in Concert for four pianos of Lolo & Sosaku. Voz E Cena (Voice and Scene), 3(02), 53–82. https://doi.org/10.26512/vozcen.v3i02.45452

Issue

Vol. 3 No. 02: Voz e Cena (jul-dez/2022)

Section

Thematic Dossier - Articles

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