The masculine and the masculinity in architecture

Authors

DOI:

https://doi.org/10.18830/1679-09442025v18e54505

Keywords:

Architecture, Body (art), Historiography, Masculinity, Contemporary art

Abstract

From the Antiquity to Modernity, the discipline's treatises that discuss the precepts of good Western architecture have chosen the male body as the appropriate proportionality parameter for the building conception. These writings also often associates the male body as a reference of austerity, rigor, rationality and objectivity. However, the body and the male considered as canonical by the discipline refers only to certain structures, measurements, proportions and attributes. However, the body and the masculinity considered as canonical by the discipline refers only to certain structures, measurements, proportions and attributes. Therefore, it leaves out other expressions of corporeality and masculinity. In this sense, the article examines the architectural role in both cultural and social construction of the ideal male body and masculinity by revisiting the main architectural manuals. Without aiming to propose a new paradigm of the body, this essay explores how some experiences in contemporary art highlight the repetition of virility symbols and expose the canonical structures of masculinity reinforced by the history of architecture.

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Author Biographies

Carolina Rodrigues Boaventura, Universidade de São Paulo; Faculdade de Arquitetura e Urbanismo; Programa de Pós-Graduação em Arquitetura e Urbanismo

PhD candidate in Theory and Fundamentals of Architecture and Urbanism, she holds both a Master’s and a Bachelor’s degree in Architecture and Urbanism from the Faculty of Architecture and Urbanism at the University of São Paulo (FAUUSP). She also holds a Bachelor’s degree in Philosophy from the University of São Paulo (FFLCH-USP). She is a member of the Contemporary Aesthetics Study Group at USP. She was a professor at the Federal University of Goiás (UFG), where she taught courses in architectural theory, art history, and design. She developed and currently coordinates the specialization program in architecture and interior design at PUC-Goiás. Her research focuses on the intersection of philosophy and theory in art and architecture, with themes related to modernity and postmodernity.

Deusa Maria Rodrigues Boaventura, Pontifícia Universidade Católica de Goiás; Curso de Arquitetura e Urbanismo; Programa de Pós-Graduação em História

She holds a degree in Architecture and Urbanism from the Catholic University of Goiás (1986), a specialization in Higher Education from PUC-GO, a specialization in Cultural History from the Federal University of Goiás, a Master’s degree in Architecture and Urbanism from the School of Engineering of São Carlos at USP (2001), and a PhD in Architecture and Urbanism from the University of São Paulo (2007). She is currently an Associate Professor at the Pontifical Catholic University of Goiás (PUC-GO) and at the State University of Goiás (UEG). She has experience in the field of Architecture and Urbanism, with an emphasis on the history of colonial and modern cities. She also works in the Master’s Program in History at PUC-GO.

References

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Published

2025-10-27

How to Cite

Boaventura, C. R., & Boaventura, D. M. R. (2025). The masculine and the masculinity in architecture. Paranoá, 18, e54505. https://doi.org/10.18830/1679-09442025v18e54505

Issue

Section

Theory, History and Critique

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