Contexto ideológico de representações nas artes:
de Bosch e Gil Vicente a More, Maquiavel e à "Emblemata" de Alciato
DOI:
https://doi.org/10.26512/hh.v6i11.11008Keywords:
Livre arbítrio, Salvação, Bem público, Justiça, CorrupçãoAbstract
Tendo por suporte textos e elaborações pictóricas, procura-se a imagem criada no século XVI que melhor traduza correntes de pensamento político, social e espiritual. Cruzam-se produções de uma centúria (das belas-artes e das belas-letras) que visam o esclarecimento de reflexões sobre o teor divino e a capacidade humana no homem, suas técnicas de organização social, suas opções de conduta moral.Confrontam-se artistas com diferente formação e experiência buscando na sua contemporaneidade confluências e dicotomias.
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