CompoSing consciência
abordando a Somaestética através da Voz e do Yoga
DOI:
https://doi.org/10.26512/vozcen.v5i01.54574Palavras-chave:
CompoSing, Soma, Música Karnatik, Voz, Composição, YogaResumo
Este artigo[1] relaciona os princípios fundamentais da somaestética com questões prementes no campo da voz na música Karnatik, a música do sul da índia. Ao fazê-lo, revela processos composicionais e de canto de uma perspectiva corporal, entremeando juntos as filosofias do yoga e da consciência corporal no paradigma pragmático do som vocalizado e percebido. Ao corporalizar a música baseada em raga, a autora questiona a convenção estabelecida em relação ao movimento e ao gesto na música Karnatik. Os processos criativos na composição e corporalização no contexto da composição musical, Sonic River, são desdobrados em conjunto com posturas de yoga que se relacionam ao contorno melódico da composição, e relatos da experiência vivida registradas em diário. Uma análise crítica desses informantes produz um quadro de quatro eixos para auxiliar na compreensão do papel crucial da consciência corporal na realização e inspiração de uma expressão artística plena e livre, particularmente no contexto da voz.
[1] Este artigo foi publicado originalmente em: MANI, Charulatha. CompoSing Awareness: Approaching Somaesthetics Through Voice and Yoga. The Journal of Somaesthetics, Dinamarca, Aalborg University, v. 5, n. 2, p. 67-85, 2019. Disponível em: https://journals.aau.dk/index.php/JOS/article/view/3334/3140 - Acesso em: 01 abr. 2024.
Downloads
Referências
ASHLEY, Tamara. Yielding as an ecologically sensitive and somatic practice. In: KIEFT, Eline et al. Somatics Toolkit blog. [S. l.], 8 mar. 2019. Disponível em: http://somaticstoolkit.coventry.ac.uk/yielding-as-an-ecologically-sensitive-and-somatic-practice/. Acesso em: 29 jun. 2024.
BARTHES, Roland. Image - music - text. Tradução de S. Heath. London: Fontana, 1977.
BARTLEET, Brydie-Leigh.; ELLIS, Carolyn. (orgs.). Music autoethnographies: Making autoethnography sing/making music personal. Brisbane: Australian Academic Press, 2009.
BELL, Gelsey.; OLIVEROS, Pauline. Tracing voice through the career of musical pioneer: A conversation with Pauline Oliveros. Journal of Interdisciplinary Voice Studies, v. 2, n. 1, p. 67-78, 2017.
CAVARERO, Adriana. For more than one voice: Toward a philosophy of vocal expression. Stanford, CA: Stanford University Press, 2005.
COX, Arnie. Embodying music: Principles of the mimetic hypothesis. Music Theory Online, v. 17, n. 2, p. 1-24.
CRISPIN, Darla. From territories to transformations: Anton Webern’s Piano Variations Op. 27 as a case-study for research in-and-through musical practice. In: ASSIS, Paulo; BROOKS, William; COESSENS, Kathleen. (orgs.). Sound and score: Essays on sound, score and notation. Leuven, Belgium: Leuven University Press, 2013. pp. 47-60.
DAMÁSIO, António Rosa. Descartes’ error: Emotion, reason and the human brain. New York, NY: Grosset/Putnam, 1994.
DESCARTES, René. The philosophical works of Descartes. Vol. 1. London: Cambridge University Press, 1975 [1931].
DOLAR, Mladen. A voice and nothing more. Cambridge, MA: MIT Press, 2006.
DURGA, Kumari. Indian literature on vocal abuse. Asian Music, v. 15, n. 1, p. 1-10, 1983.
EIDSHEIM, Nina Sun. Sensing sound: Singing and listening as vibrational practice. Durham and London: Duke University Press, 2015.
GODØY, Rolf. Key-postures, trajectories and sonic shapes. In: LEECH-WILKINSON, Daniel.; PRIOR, Hellen. (orgs.). Music and shape. New York, NY: Oxford University Press, 2017. p. 4-29.
HARRISON, Klisala. The social potential of music for addiction recovery. Music & Science, v. 2, pp. 1-16, 2019.
HEINRICH, Falk. Introduction: Somaesthetics and its Nordic aspects. Journal of Somaesthetics, v. 4, n. 1, p. 4-6, 2018.
HUNTER, Kate. The cognitive body. In: REEVE, Sandra. (org.). Body and performance. Exeter: Triarchy Press, 2013. p. 163-175.
JÄRVIÖ, Paivi. The life and world of a singer: Finding my way. Philosophy of Music Education Review, v. 14, n. 1, p. 65-77, 2006.
JUNTUNEN, Marja-Leena.; HYVÖNEN, Leena. Embodiment in musical knowing: How body movement facilitates learning within Dalcroze Eurhythmics. British Journal of Music Education, v. 21, n. 2, pp. 199- 214, 2004.
KIRKKOPELTO, Esa. Searching for depth in the flat world: Art, research and institutions. In: IMPETT, J. (org.). Artistic research in music: Discipline and resistance. Leuven: Leuven University Press, pp. 134-148, 2017.
KRISHNA, Thodur. Madabusi. A southern music: The Karnatik story. Noida: Harper Collins, 2013.
KÜSSNER, Mats; LEECH-WILKINSON, Daniel. Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm. Psychology of Music, v. 42, n. 3, pp. 448-469, 2013.
LAKOFF, George; JOHNSON, Mark. Philosophy in the flesh: The embodied mind and its challenge to western thought. New York: Basic Books, 1999.
LILJA, Efva. (2015). Art, research, empowerment: On the artist as researcher. Stockholm: Regeringskansliet, 2015, p. 55-69.
MANI, Charulatha. A rare treat. The Hindu, Chennai, 14 fev. 2014. Disponível em: https://www.thehindu. com/features/metroplus/a-rare-treat/article5688935.ece. Acesso em: 29 jun. 2024.
MANI, Charulatha. Approaching Italian gorgie through Karnatik brigha: An essai on intercultural vocal transmission. Theatre, Dance and Performance Training, v. 10, n. 3, p. 410-417, 2019b.
MANI, Charulatha. CompoSing Awareness: Approaching Somaesthetics Through Voice and Yoga. The Journal of Somaesthetics, Dinamarca, Aalborg University, v. 5, n. 2, pp. 67-85, 2019. Disponível em: https://journals.aau.dk/index.php/JOS/article/view/3334/3140 - Acesso em: 01 abr. 2024.
MANI, Charulatha. Customised pedagogical tools to aid aural-oral transmission: RagaCurve and gesture. Finnish Journal of Music Education, v. 21, n. 1, p. 31-54, 2018a.
MANI, Charulatha. Hybridising Karnatik music and Early Opera: A journey through voice, word, and gesture. 2019. Tese (Doutorado em Artes Musicais) - Griffith University, Brisbane, Australia, 2019a. Disponível em: http://hdl.handle. net/10072/386762.
MANI, Charulatha. Monteverdi reimagined - L’Orfeo from a Carnatic perspective. 2018b. 1 vídeo (39min41s). Publicado pelo canal @isaipayanam. Disponível em: https://youtu.be/9szMfVtHQmQ. Acesso em: 29 jun. 2024.
MANI, Charulatha. Singing across cultures: An auto-ethnographic study. International Review of the Aesthetics and Sociology of Music, v. 48, n. 2, p. 245-264, 2017.
MANI, Charulatha. The Thiruppavai Project: Karnatik Viruttam meet Recitar Cantando. 2018c. 1 vídeo (10min21s) Publicado pelo canal @isaipayanam. Disponível em: https://youtu.be/_8cx4KmwnM4. Acesso em: 29 jun 2024.
MERLEAU-PONTY, Maurice. Phenomenology of perception. NY: Routledge, 2013.
MONTERO, Barbara Gail. Proprioception as an aesthetic sense. Journal of Aesthetics and Art Criticism, v. 64, v. 2, p. 231-242, 2006.
NEUMARK, Norie. Introduction: The paradox of voice. In: Neumark, Norie.; GIBSON, Ross.; LEEUWEN, Theo van. (orgs.). Voice: Vocal aesthetics in digital arts and media. Cambridge: The MIT Press, 2010. p. 15-33.
SHUSTERMAN, R. Thinking through the body: Essays in somaesthetics. Cambridge, UK: Cambridge University Press, 2012.
SHUSTERMAN, Richard. Body and the arts: The need for somaesthetics. Diogenes, v. 59, n. 1-2, p. 6-20, 2013.
SHUSTERMAN, Richard. Body consciousness: A philosophy of mindfulness and somaesthetics. Cambridge, UK: Cambridge University Press, 2008.
SPATZ, Ben. (2019). Core practice 1 - Body basics: Arriving. In: KIEFT, Eline et al. Somatics Toolkit Core Practice. [S. l.], 18 mar. 2019. Disponível em: http://somaticstoolkit.coventry.ac.uk/. Acesso em: 29 jun. 2024.
TARVAINEN, Anne. Democratizing singing: Somaesthetic reflections on vocality, deaf voices, and listening. Pragmatism Today, v. 9, n. 1, p. 91-108, 2018b.
TARVAINEN, Anne. Singing, listening, proprioceiving: Some reflections on vocal somaesthetics. In: R. SHUSTERMAN, Richard. (org.). Aesthetic experience and somaesthetics . Leiden & Boston: Brill, 2018a. p. 120-142.
THOMAIDIS, Konstantinos. The vocal body. In: REEVE, S. (org.), Body and performance. Exeter: Triarchy Press, 2013. p. 85-98.
WASKUL, Dennis. D.; VANNINI, Phillip. (orgs.). Body/embodiment: Symbolic interaction and the sociology of the body. New York, NY: Routledge, 2006.
WEIDMAN, Amanda. Singing the classical, voicing the modern: The postcolonial politics of music in South India. Durham, NC: Duke University Press, 2006.
WISTREICH, Richard. Reconstructing pre-romantic singing technique. In: POTTER, John. (org.). The Cambridge companion to singing. Cambridge, UK: Cambridge University Press, 2000. pp. 178-191.
Downloads
Publicado
Como Citar
Licença
Copyright (c) 2024 Voz e Cena
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Os leitores são livres para transferir, imprimir e utilizar os artigos publicados na Revista, desde que haja sempre menção explícita aos autores e à Revista Voz e Cena e que não haja qualquer alteração no trabalho original. Qualquer outro uso dos textos precisa ser aprovado pelos autores e pela Revista. Ao submeter um artigo à Revista Voz e Cena e tê-lo aprovado, os autores concordam em ceder, sem remuneração, os direitos de primeira publicação e a permissão para que a Revista redistribua esse artigo e seus metadados aos serviços de indexação e referência que seus editores julguem apropriados.
Este trabalho está licenciado com uma Creative Commons Attribution 4.0 International License.