The cares of Berna and Ventura
the production of alterity in the choreographic-musical composition
DOI:
https://doi.org/10.26512/vozcen.v3i02.45407Keywords:
Music, Choreography, Composition, Experience, AlterityAbstract
This paper considers conceptual incidences on the collaborative compositional practices experienced between the author and the Portuguese choreographer Clara Andermatt in three different creative processes. These three works reflect the authors' path of deepening in the context of the expressive interpenetration between music and movement, based on a common dramaturgical device. In this way, a retrospective analysis of the dialogic and empirical conditions of these three creations is attempted, aiming at understanding the growing production of compositional alterity between the two creators.
Downloads
References
AGAMBEM, Giorgio. O que e o contemporâneo e outros ensaios. Chapecó: Argos, 2009.
BERGSON, Henri. Ensaio sobre os dados imediatos da consciência. Lisboa: Edições 70, 1988.
CALVINO, Italo. Palomar. Lisboa: Teorema, 1995.
CALVINO, Italo. Seis propostas para o próximo milênio. Lisboa: Editorial Teorema, 2006.
DELEUZE, Gilles. Diferença e Repetição. São Paulo: Edições Graal, 2006.
GUMBRECHT, Heinrich. Produção de Presença. Rio de Janeiro: PUC-Rio, 2010.
HEIDEGGER, Martin. A caminho da linguagem. Petrópolis, RJ: Editora Vozes, 2003.
HEIDEGGER, Martin. Ser e Tempo - Parte 1. Petrópolis, RJ: Vozes, 2005.
LOUPPE, Laurence. Poética da dança contemporânea. Lisboa, Orfeu Negro, 2012.
LUCAS, João. Os Psiquismos de Tristão Ventura . dialogia, experiência e alteridade na colaboração coreográfico musical. Brasília: Programa de Pós-Graduação/Universidade de Brasília, 2021. Tese (Doutorado em Artes Visuais).
RICOEUR, Paul. Soi-même comme un autre. Paris: Éditions du Seuil, 1990.
Downloads
Published
How to Cite
Issue
Section
Categories
License
Copyright (c) 2022 Voz e Cena (Voice and Scene)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to download, print and use the articles published in the journal, as long as there is always explicit mention to the authors and to the Voz e Cena journal and that there is no change in the original work. Any other use of the texts must be approved by the authors and the journal. By submitting a paper to Voz e Cena journal and having it approved, the authors agree to assign, without remuneration, the rights of first publication and the permission for the journal to redistribute that article and its metadata to the indexing and reference services that its publishers deem appropriate.
This work is licensed under a Creative Commons Attribution 4.0 International License.
7.PNG)
