Voice in movement

a study of sound-motor meta-perspective gathering contemporary dance, music and technology

Authors

DOI:

https://doi.org/10.26512/vozcen.v2i02.40603

Keywords:

Voice, Movement, Contemporary Dance, Music, Mirror Technology

Abstract

This article carries out a discussion on the relations between sound, voice and movement, through a case study that gathers dance, music and technology. The paper aims to highlight how the analyzed scene could reveal complex action-based crossings between movement and voice, through a technology-enhanced mirror method for self-observation. Literature from Dance, Cognitive Science, Vocal Science and Embodied Music Cognition was gathered to compose a theoretical framework based on the crossings between art, science and technology. From this reflection, we intend to develop further methodological tools for the education of performers who aim to blend dance and vocal skills.

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Author Biography

Andréia Vieira Abdelnur Camargo, Universidade de São Paulo - USP, São Paulo/SP, Brasil

Artista e professora do Departamento de Artes Cênicas e do Programa de Pós-Graduação em Artes Cênicas da Universidade de São Paulo. Trabalha na interface entre dança, teatro e música, investigando corpo, memória, voz e movimento. Foi professora visitante na Ghent University (Bélgica).

References

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Published

2021-12-21

How to Cite

Camargo, A. V. A. (2021). Voice in movement: a study of sound-motor meta-perspective gathering contemporary dance, music and technology. Voz E Cena (Voice and Scene), 2(02), 94–113. https://doi.org/10.26512/vozcen.v2i02.40603

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Thematic Dossier - Articles

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