Weaving voices
polyphony in the Oficcina Multimédia group
DOI:
https://doi.org/10.26512/vozcen.v3i02.45512Keywords:
Creation process, Polyphony, Group Oficcina MultimédiaAbstract
This text presents reflections on polyphony in the Oficcina Multimédia group, from Belo Horizonte. Through documentary research in the director Ione de Medeiros’s process notebooks, we discuss the presence of polyphony in the group’s creation process, about the formative nature of the rehearsal practices that guide the group’s polyphonic scene, in dialogue with the propositions of acting and polyphonic scene by Ernani Maletta (2016). It is also pointed out the possible correlation to established between polyphony and transdisciplinarity.
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HISSA, Cássio E.V. A mobilidade das fronteiras: inserções da geografia na crise da modernidade. Belo Horizonte: Editora UFMG, 2002.
MALETTA, Ernani. A interação música-teatro sob o ponto de vista da polifonia. Polifonia, Cuiabá, MT, v. 21, n. 30, pp. 29-54, Jul-Dez. 2014. Disponível em: http://periodicoscientificos.ufmt.br/ojs/index.php/polifonia/issue/view/160. Acesso em 15 de setembro de 2022.
MALETTA, Ernani. Atuação polifônica: princípios e práticas. Belo Horizonte: Ed. UFMG, 2016.
MEDEIROS, Ione de. Grupo Oficcina Multimédia: 30 anos de integração das artes no teatro. Belo Horizonte: I.T. Medeiros, 2007.
MORIN, Edgar. Introdução ao pensamento complexo. Trad. Do francês Eliane Lisboa. Porta Alegre: Sulina, 2005.
PAOLIELLO, Guilherme. A circulação da linguagem musical: o caso da Fundação de Educação Artística (FEA-MG). Belo Horizonte: Programa de Pós-graduação da Faculdade de Educação/UFMG, 2007. Tese em Educação.
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