Voice in movement

a study of sound-motor meta-perspective gathering contemporary dance, music and technology

Authors

DOI:

https://doi.org/10.26512/vozcen.v2i02.40603

Keywords:

Voice, Movement, Contemporary Dance, Music, Mirror Technology

Abstract

This article carries out a discussion on the relations between sound, voice and movement, through a case study that gathers dance, music and technology. The paper aims to highlight how the analyzed scene could reveal complex action-based crossings between movement and voice, through a technology-enhanced mirror method for self-observation. Literature from Dance, Cognitive Science, Vocal Science and Embodied Music Cognition was gathered to compose a theoretical framework based on the crossings between art, science and technology. From this reflection, we intend to develop further methodological tools for the education of performers who aim to blend dance and vocal skills.

Downloads

Download data is not yet available.

Author Biography

Andréia Vieira Abdelnur Camargo, Universidade de São Paulo - USP, São Paulo/SP, Brasil

Artista e professora do Departamento de Artes Cênicas e do Programa de Pós-Graduação em Artes Cênicas da Universidade de São Paulo. Trabalha na interface entre dança, teatro e música, investigando corpo, memória, voz e movimento. Foi professora visitante na Ghent University (Bélgica).

References

BERG, J.W. VAN DEN. Mechanisms of the larynx and the laryngeal vibrations. In: MALBERG, B. Manual of Phonetics. Amsterdam: North Holland Publishing Company, 1968. p.278-308.

CARUSO, Giusy. Mirroring the Intentionality and Gesture of a Piano Performance: an Interpretation of 72 Etudes Karnatiques. Ghent: Department of Musicology/Ghent University, 2018. PhD dissertation (Doutorado em Musicologia).

CARUSO, Giusy; COOREVITS, Esther; NIJS, Luc; LEMAN, Marc. Gestures in Contemporary Music Performance: A Method to Assist the Performer’s Artistic Process, Contemporary Music Review, 35:4-5, 402-422, 2016.

CLAYTON, Martin. What is entrainment? Definition and applications in musical research. Empirical Musicology Review 7(1-2): 49-56, 2012.

COSTA FILHO, M. S.; JESUS, L. M. T. A Proprioceptividade no Canto: Uma Avaliação Qualitativa do Desempenho Vocal de Cantores Estudantes. 5º Congresso Ibero-Americano em Investigação Qualitativa, 2016, Porto. Atas CIAIQ 2016, 2016.

DAHL, Sofia et al. Gestures in Performance. In GODOY, R.; LEMAN, M. Musical Gestures: sound, movement and meaning. New York: Routledge, 2010, 36-68.

LEMAN, Marc. Embodied Music Cognition and Mediation Technology. Cambridge: The MIT Press, 2008.

LEMAN, Marc. The expressive moment: How interaction (with music) shapes human empowerment. Cambridge, MA: MIT Press, 2016.

MARINBERG, Niv; AVIV, Vered. Dancers’ Somatic of Musicality. Frontier in Psychology 10: 1-10. 2019. doi: 10.3389/fpsyg.2019.02681

NHUR, Andréia. Do Movimento ao Som, Do Som ao Movimento: relações bioculturais entre dança e musica Revista Brasileira Estudos da Presença, Porto Alegre, v. 10, n. 4, e100069, 2020. Disponível em: http://dx.doi.org/10.1590/2237-2660100069. Acesso em 10, set. 2021.

NOË, Alva. Action in perception. Cambridge, MA: MIT Press, 2004.

PRIM, G. de S.; GONÇALVES, B. S.; VIEIRA, M. L. H. A representação do corpo e do movimento: uma análise da interatividade do motion capture. Design e Tecnologia, 5(09), 23-28, 2015.

SALOMÃO, Gláucia. Registros vocais no canto: aspectos perceptivos, acústicos, aerodinâmicos e fisiológicos da voz modal e da voz de falsete. São Paulo: Programa de Linguística Aplicada e Estudos da Linguagem/ Pontifícia Universidade Católica de São Paulo, 2008. Tese (Doutorado em Linguística Aplicada e Estudos da Linguagem).

Published

2021-12-21

How to Cite

Camargo, A. V. A. (2021). Voice in movement: a study of sound-motor meta-perspective gathering contemporary dance, music and technology. Voz E Cena (Voice and Scene), 2(02), 94–113. https://doi.org/10.26512/vozcen.v2i02.40603

Issue

Section

Thematic Dossier - Articles

Categories