The Actor's voice in a digital environment
an interview with Sound Designers and SP Escola de Teatro instructors Edézio Aragão, Gregory Slivar and Raul Teixeira
Keywords:
Microphone, Digital theater, Augmented voice, Training actors, Sound DesignAbstract
The sanitary measures to contain the pandemic imposed unprecedented experiences in the theatrical field: artists and teachers needed to adapt to the remote and digital medium. This interview addresses the solutions and difficulties encountered by Edézio Aragão, Gregory Slivar and Raul Teixeira, in the Sound Designer Course at the SP Escola de Teatro during this period. The approach made for this publication privileges the relationship between the Sound Designer and the Actor, since his voice became obligatorily mediated. The interest of the case of this school is that the courses work in an integrated way, which allows us to observe how these experiences crossed the formation of the actors from a little explored point of view, that of the Theatre Sound Designer.
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References
Dicionário Priberam da Língua Portuguesa. Verbete “Gambiarra”, 2021. Disponível em: https://dicionario.priberam.org/ - acesso em 23 de setembro de 2021.
RIBEIRO SILVA, Gregory [Gregory Slivar]. Música impura: a noção de presença na criação e performance sonora. São Paulo: PPGMUS/Universidade de São Paulo, 2016. Dissertação (Mestrado em Música).
WEGNER, Ana; LIMA SANTOS, Maria Thaís. La poétique vocale de la Cia Teatro Balagan. Pratiques de la voix sur scène: de l’apprentissage à la performance vocale. Incertains Regards, Aix en Provence, Université Aix-Marseille, Hors série, nº 2, pp. 73-86, 01/2018.
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