O cortejo da morte engendra a narrativa:

A literatura menor de Samuel Rawet

Abstract

This article examines Samuel Rawet's tale A Dead Man, a Dead Horse, a Dead Mouse, which appears in his last book entitled: Let the Dead Bury Their Dead in 1981. In approaching the tale of the concepts of Gilles Deleuze and Felix Guattari establishes a dialogue between literature and philosophy that permeates the reading of the work. We can then observe that the character is duplicated in an animal-becoming and in obsessions that characterize Rawet's work.