Voices in Dialogue

Interview with Giuliano Campo about Zygmunt Molik's praxis

Authors

Keywords:

Voice, Movement, Molik, Giuliano Campo

Abstract

The present interview aims to deepen contents about Molik's vocal exercises and methodological principles in the actor's work. It is a conversation with Giuliano Campo covering the following topics: Resonators, with comments on the creation and overcoming of this exercise;  Partitura, about the process of choreographing the actor's psychophysical actions; Alphabet of the Body, about the origins of this system and how it helps in vocal work; Master's Conduct, about how Molik learned to treat the voice of the students; and terms such as Life and The Unknown. In addition, the interview has further elaborations and unfoldings of the themes treated in the book Body and Voice Work by Zygmunt Molik (2012), always seeking not to approach his technique as a “manual”, but as a “living instrument”.

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Author Biographies

Pablo Magalhães, Universidade de Brasília - UnB, Brasília/DF, Brasil

Mestre em Processos Composicionais da Cena pelo Programa de Pós Graduação em Artes Cênicas (PPG-CEN) da Universidade de Brasília, Bacharel em Interpretação Teatral pelo Departamento Artes Cênicas (CEN) da Universidade de Brasília. Participante do Grupo de Pesquisa Vocalidade & Cena.

César Lignelli, Universidade de Brasília - UnB, Brasília/DF, Brasil

Associate Professor of Voice and Performance at the Performing Arts Department (CEN) and the Postgraduate Programs in Art (PPG-Arte) and Postgraduate Programs in Performing Arts (PPG-CEN) at the University of Brasília. Post-Doctorate by the Advanced Program of Contemporary Culture at the Federal University of Rio de Janeiro (2014 - 2015). He holds a PhD in Education and Communication, FE / Universidade de Brasília (2011); Master in Art and Technology in the research line Compositional Processes for the Scene, IDA / UnB (2007); Graduated in Performing Arts at the Federal University of the State of Rio de Janeiro (2000). Leader of the Vocalidade & Cena Research Group (CNPq since 2003). Editor of the Journal Voz e Cena. Member of the VASTA Voice and Speech Trainers Association (since 2016). Author of the book Sons e (m) Cenas (2014 and 2019 - second edition), co-organizer of the book Práticas, Poéticas e Reverios Vocales (2019) and numerous articles published in qualified journals. Researches and guides themes involving sounds, aesthetics and pedagogies. Spoken and sung word. Glossolalias.Vocalities and education. Vocalities and movement. Vocalities and technologies. Vocalities and culture. Sound. Scene music. Scenic music. He regularly develops aesthetic productions in partnership with the theater groups Desvio, Sutil Ato, alaOca, Teatro do Concreto and Trupe dos Argonautas. Since 2017, together with Grupo Desvio, he has traveled with DeBanda through Brazil, Singapore, Argentina, Uruguay, Paraguay, Chile and Peru.

References

GROTOWSKI, Jerzy. In Search of a Poor Theater. Ed. Rio de Janeiro: Civilização Brasileira, 1971; Foreword by Peter Brook.

GROTOWSKI, Jerzy. Jerzy Grotowski's Laboratory Theatre. Ed. São Paulo: Perspectiva, 2007.

MOLIK, Zygmunt; CAMPO, Giuliano. Zygmunt Molik's Training of Voice and Body - The Legacy of Jerzy Grotowski. Ed. São Paulo: Realizações Editora, Livraria e Distribuidora Ltda, 2012.

MAGALHÃES, Pablo. Voz e Movimento: uma análise da práxis de Zygmunt Molik. Dissertação de Mestrado. Brasília, UnB, 2022.

Voz e Cena - volume 03 número 02 - julho a dezembro de 2022

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Published

2022-12-31

How to Cite

Magalhães, P., & Lignelli, C. (2022). Voices in Dialogue: Interview with Giuliano Campo about Zygmunt Molik’s praxis. Voz E Cena (Voice and Scene), 3(02), 322–347. Retrieved from https://periodicos.unb.br/index.php/vozecena/article/view/45483

Issue

Vol. 3 No. 02: Voz e Cena (jul-dez/2022)

Section

Interviews

Categories

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