The cares of Berna and Ventura
the production of alterity in the choreographic-musical composition
DOI:
https://doi.org/10.26512/vozcen.v3i02.45407Keywords:
Music, Choreography, Composition, Experience, AlterityAbstract
This paper considers conceptual incidences on the collaborative compositional practices experienced between the author and the Portuguese choreographer Clara Andermatt in three different creative processes. These three works reflect the authors' path of deepening in the context of the expressive interpenetration between music and movement, based on a common dramaturgical device. In this way, a retrospective analysis of the dialogic and empirical conditions of these three creations is attempted, aiming at understanding the growing production of compositional alterity between the two creators.
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