Dialogues mediated by technical objects

Interview with João Bento

Authors

Keywords:

João Bento, Soundwalking, Real-Time Composition, Technical Objects

Abstract

As a complement to the article Voices that do not have a Vozes que não têm boca mediadas por objetos técnicos em De Perto Uma Pedra a, written by Mayer and Lignelli, in the magazine Voz e Cena, in issue v. 2 2021, in which the sound aspects of the Portuguese show De Perto Uma Pedra were discussed, an interview was developed with the live sound capturer of this work, João Bento. In this space, we seek to understand a little about his trajectory, previous works, inspirations, dialogue with other artists and his relationship with the work in question.

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Author Biographies

Guilherme Mayer, Universidade de Brasília - UnB, Brasília/DF, Brasil

Mestrando em Processos Composicionais para Cena pelo Programa de Pós Graduação em Artes Cênicas (PPG-CEN) da Universidade de Brasília, Bacharel em Interpretação Teatral pelo Departamento Artes Cênicas (CEN) da Universidade de Brasília. Participante do Grupo de Pesquisa Vocalidade & Cena.

César Lignelli, Universidade de Brasília - UnB, Brasília/DF, Brasil

Associate Professor of Voice and Performance at the Performing Arts Department (CEN) and the Postgraduate Programs in Art (PPG-Arte) and Postgraduate Programs in Performing Arts (PPG-CEN) at the University of Brasília. Post-Doctorate by the Advanced Program of Contemporary Culture at the Federal University of Rio de Janeiro (2014 - 2015). He holds a PhD in Education and Communication, FE / Universidade de Brasília (2011); Master in Art and Technology in the research line Compositional Processes for the Scene, IDA / UnB (2007); Graduated in Performing Arts at the Federal University of the State of Rio de Janeiro (2000). Leader of the Vocalidade & Cena Research Group (CNPq since 2003). Editor of the Journal Voz e Cena. Member of the VASTA Voice and Speech Trainers Association (since 2016). Author of the book Sons e (m) Cenas (2014 and 2019 - second edition), co-organizer of the book Práticas, Poéticas e Reverios Vocales (2019) and numerous articles published in qualified journals. Researches and guides themes involving sounds, aesthetics and pedagogies. Spoken and sung word. Glossolalias.Vocalities and education. Vocalities and movement. Vocalities and technologies. Vocalities and culture. Sound. Scene music. Scenic music. He regularly develops aesthetic productions in partnership with the theater groups Desvio, Sutil Ato, alaOca, Teatro do Concreto and Trupe dos Argonautas. Since 2017, together with Grupo Desvio, he has traveled with DeBanda through Brazil, Singapore, Argentina, Uruguay, Paraguay, Chile and Peru.

References

ADAMS, MD; BRUCE, NS; DAVIES, WJ; CAIN; R. JENNINGS; P, CARLYLE, A, CUSACK; P, HUME; Plack, C. Soundwalking as a methodology for understanding soundscapes. Manchester. University Stanford. 2008.

AUGÉ, Marc. Não-lugares: introdução a uma antropologia da supermodernidade. Campinas: Papirus, 1994.

BARTHES, Roland. A câmara clara: nota sobre fotografia. Tradução de Julio Castañon Guimarães. Rio Janeiro: Nova Fronteira, 1984.

FIADEIRO, João; EUGENIO, Fernanda. Secalharidade como ética e como modo de vida: o projeto AND_Lab e a investigação das práticas de encontro e de manuseamento coletivo do viver juntos. Urdimento - Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 19, p. 061-069, 2019. DOI: 10.5965/1414573102192012063. Disponível em: https://www.revistas.udesc.br/index.php/urdimento/article/view/3191. Acesso em: 21 mar. 2022.

MAYER, Guilherme.; LIGNELLI, César. Vozes que não têm boca mediadas por objetos técnicos em De Perto Uma Pedra. Voz E Cena, 2(02), 13–33. Disponível em: https://periodicos.unb.br/index.php/vozecena/article/view/39659. 2021.

SIMONON, Gilbert. Do Modo de Existência dos Objetos Técnicos. Rio de Janeiro: Contraponto, 2020. Tradução de Vera Ribeiro.

Published

2022-06-27

How to Cite

Mayer, G., & Lignelli, C. (2022). Dialogues mediated by technical objects: Interview with João Bento. Voz E Cena (Voice and Scene), 3(01), 297–314. Retrieved from https://periodicos.unb.br/index.php/vozecena/article/view/42777