Voices heard by themselves, creating new worlds
DOI:
https://doi.org/10.26512/vozcen.v3i01.42331Keywords:
Voice, Improvisation, Listening, Musicality, Relational AestheticsAbstract
This paper focuses on two interviews granted by Stenio Mendes, musician, composer and art-pedagogue, in order to outline paths for the voice in artistic creation processes. His reflections start from a deep listening of the human being and the voice as a place of poetic subjectivity. Concepts such as empathy, the relationship between the “I” and the “we” in the artistic constitution of an individual find resonance in the concept of Communicative Musicality by Stephen Malloch, where the relationship between mother and baby is based on musical parameters. The voice in this first relationship is remembered when in a state of improvisation and experimentation and is the foundation for the development of an individual. The aesthetic and reflexive development in this context assumes for the voice the possibility of a relational creation and finds parallels in the concepts of Nicolas Borriaud's Relational Aesthetics.
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