Corpolitical
body-vocal narratives in projection - report from a remote creative laboratory
DOI:
https://doi.org/10.26512/vozcen.v2i02.40534Keywords:
Body-vocal narratives, Decoloniality, Corpolitical, Active Subjetivation, AffectionsAbstract
This report shares the experience of photo projection performance in digital medium as an alternative for continuity in creative processes during lockdown. The practice uses ancient knowledge from the Guarani people such as active listening and body-voice fine tuning. It provokes friction between affection and politics as a bet on active subjectification against the process of hegemony over bodies in a pimp system (Rolnik 2018). The option for an indigenous-american ontology is part of an epistemological choice aiming towards decolonisation. The usage of ancestral orality knowledge, referenced by bibliographic selection, reinforces my desire as researcher and artist: to act in the scenic arts decoupled from experiences and knowledge that are exclusively occidental.
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