Sonorous Thing on Scene

concept, functions and potentials

Authors

DOI:

https://doi.org/10.26512/vozcen.v1i02.34111

Keywords:

Concept, Material agency, Udigrudi, Theatre, Sonorous Thing

Abstract

This article proposes to present the concept of Sonorous Thing and its potentialities for the performing arts, pointing out its foundations, trajectory of conception, use and some application possibilities, having as reference the shows O Cano (1998) and Ovo (2003), created and presented by the Udigrudi circus theater group. In addition to accentuating the components used to activate the concept of Sonorous Thing - thing, material agency, line and mesh - conceived in the field of ecological epistemologies, the article presents the narrative of the process of creating a specific Sonorous Thing - The Rex -, explaining with singularities the abstractions inherent to the conceptual construction.

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Author Biographies

Marcio Gonçalves Vieira, Universidade de Brasília - UnB, Brasília/DF, Brasil

artista pesquisador, criador de instrumentos musicais, músico e performer. Mestre em Artes Cênicas (2019) pela Universidade de Brasília (UnB) e graduado em Engenharia Elétrica (1985) pela UnB. Integrante do grupo de circo teatro Udigrudi e coautor do projeto Diversom, um parque de diversões sonoro.

César Lignelli, Universidade de Brasília - UnB, Brasília/DF, Brasil

Associate Professor of Voice and Performance at the Performing Arts Department (CEN) and the Postgraduate Programs in Art (PPG-Arte) and Postgraduate Programs in Performing Arts (PPG-CEN) at the University of Brasília. Post-Doctorate by the Advanced Program of Contemporary Culture at the Federal University of Rio de Janeiro (2014 - 2015). He holds a PhD in Education and Communication, FE / Universidade de Brasília (2011); Master in Art and Technology in the research line Compositional Processes for the Scene, IDA / UnB (2007); Graduated in Performing Arts at the Federal University of the State of Rio de Janeiro (2000). Leader of the Vocalidade & Cena Research Group (CNPq since 2003). Editor of the Journal Voz e Cena. Member of the VASTA Voice and Speech Trainers Association (since 2016). Author of the book Sons e (m) Cenas (2014 and 2019 - second edition), co-organizer of the book Práticas, Poéticas e Reverios Vocales (2019) and numerous articles published in qualified journals. Researches and guides themes involving sounds, aesthetics and pedagogies. Spoken and sung word. Glossolalias.Vocalities and education. Vocalities and movement. Vocalities and technologies. Vocalities and culture. Sound. Scene music. Scenic music. He regularly develops aesthetic productions in partnership with the theater groups Desvio, Sutil Ato, alaOca, Teatro do Concreto and Trupe dos Argonautas. Since 2017, together with Grupo Desvio, he has traveled with DeBanda through Brazil, Singapore, Argentina, Uruguay, Paraguay, Chile and Peru.

References

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Voz e Cena - capa

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Published

2020-12-03

How to Cite

Vieira, M. G., & Lignelli, C. (2020). Sonorous Thing on Scene: concept, functions and potentials. Voz E Cena (Voice and Scene), 1(02), 157–182. https://doi.org/10.26512/vozcen.v1i02.34111

Issue

Vol. 1 No. 02: Voz e Cena (jul-dez/2020)

Section

Articles - Continuous Flow

Categories

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