Travel Journals
The Silly Girl
DOI:
https://doi.org/10.26512/vozcen.v1i01.31121Keywords:
Music-theatre, the silly girl, vocal research, nomadic voicesAbstract
This text aims to share with readers a process report of the performance The Silly Girl (2010), intertwining art, life and intellectual production in the trajectory of the artist of the scene. Based on the materials produced over a decade of research and circulation of the work, the author traces the main themes of vocal, sound and scenic research, discussing the voice from the point of view of aesthetic and poetic experience in the music-theater. Authors such as Margareth Rago, Rosi Braidotti and Paul Zumthor appears to help the comprehension about this art and life path.
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References
BISCARO, Barbara. Vozes Nômades: escutas e escritas da voz em performance. Florianópolis: Tese de Doutorado defendida junto ao PPGT/UDESC, 2015.
BRAIDOTTI, Rosi. Nomadic Subjects: embodiment and sexual difference in contemporary feminist theory. New York: Columbia University Press, 1994.
DESI, Eric; SALZMAN, Thomas. The new music theater: seeing the voice, hearing the body. New York: Oxford University Press, 2008.
ALVARENGA, Oneyda; ANDRADE, Mário. Cartas. São Paulo: Duas cidades, 1983.
RAGO, Luzia Margareth. A aventura de contar-se: feminismos, escrita de si e invenção da subjetividade. Campinas, SP: Editora da Unicamp, 2013.
ZUMTHOR, Paul. La presenza della voce: introduzione alla poesia orale. Tradução: Costanzo di Girolamo. Bologna: Il Mulino, 2001.
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