Body, art and ontological difference
an examination of the relations between Merleau-Ponty and Heidegger
DOI:
https://doi.org/10.26512/rfmc.v12i2.55627Keywords:
Perception. Incarnation. Ontological difference. Logocentrism.Abstract
The text analyzes to what extent the evolution of Merleau-Ponty's thought receives the growing influence of Heidegger's ontology, while at the same time keeping him away from the latter by not renouncing certain fundamental principles of Husserl's phenomenology. Among such principles, the primacy of perceptual experience and the presence of the incarnated body stands out as irreducible conditions of openness to the “sense of being”, which contradicts the “logocentric” orientation, so to speak, of Heideggerian ontology and, above all, that which Heidegger understands as the ontological difference between being and being as such. Finally, it will be discussed how these fundamental differences, which Merleau-Ponty maintains in relation to Heidegger's ontology, is reflected in the radically different way in which each of them conceives the issue of art and particularly painting.
Downloads
References
BORNHEIM, Gerd. Dialética. Teoria e práxis. Rio de Janeiro: Globo, 1983.
BORNHEIM, Gerd Metafísica e finitude. São Paulo: Perspectiva, 2001.
BOURDIEU, Pierre. A ontologia política de Martin Heidegger. Tradução Lucy Moreira Cesar. Campinas: Papirus, 1989.
CASANOVA, Marco Antonio. Compreender Heidegger. Petrópolis: Vozes, 2020.
DERRIDA, Jacques. Gramatologia. Tradução Miriam Chnaiderman e Renato Janine Ribeiro. São Paulo: Perspectiva, 1973.
DERRIDA, Jacques. La verité en peinture, Paris: Flammarion, 1978.
DERRIDA, Jacques. Margens da filosofia. Tradução J. T. Costa, Antonio M. Magalhães. Campinas: Papirus, 1991.
HEIDEGGER, Martin. Der Ursprung des Kunstwerkes. Stuttgart: Philipp Reclam, 1960.
HEIDEGGER, Martin. Die Kunst und der Raum, Edição bilíngue (alemão/italiano). Trad. de I. De Gennaro, G. Zaccaria, 1969. Disponível em: https://www.eudia.org/wp-content/uploads/Lettura-24_Heidegger_Die-Kunst-und-der-Raum.112-1.pdf. Acesso em: 05 nov. 2023.
HEIDEGGER, Martin. Introdução à metafísica. Tradução Emmanuel Carneiro Leão, Rio de Janeiro: Tempo Brasileiro, 1969a.
HEIDEGGER, Martin. Sobre o problema do ser. O caminho do campo. Tradução Ernildo Stein. São Paulo: Duas Cidades, 1969b.
HEIDEGGER, Martin. Que é metafísica? Tradução Ernildo Stein. In: Os pensadores, São Paulo: Abril, 1973, pp. 35-44.
HEIDEGGER, Martin. Poetry, language, thought. Tradução Albert Hofstadter. New York: Harper Colophons, 1975.
HEIDEGGER, Martin. Existence and Being. Tradução Werner Brock. South Bend: Regnery/Gateway, 1979.
HEIDEGGER, Martin. Questions I et II. Tradução Jean Beaufret, Walter Biemel, Lucien Braun, Henry Corbin, François Fédier, Gérard Granel, Michel Haar, Dominique Janicaud, Roger Munier, André Préau, Alphonse de Waelens. Paris: Gallimard, 1993.
HEIDEGGER, Martin. Questions III et IV. Tradução Jean Beaufret, François Fédier, Julien Hervier, Jean Lauxerois, Roger Munier, André Préau, Claude Roëls. Paris: Gallimard, 1990.
HEIDEGGER, Martin. Le Principe de Raison. Tradução André Préau. Paris: Ed. Gallimard, 1996a.
HEIDEGGER, Martin. Entrevista del Spiegel a Martin Heidegger, Tradução Ramón Rodríguez. Tecnos, Madrid, 1996b. Disponível em: http://www.pileface.com. Acesso em: 15 jul. 2022.
HEIDEGGER, Martin. Construir, habitar, pensar. Tradução Marcia Sá Cavalcante Schuback, 2017. Disponível em: https://filosofiaepatrimonio.wordpress.com/wp-content/uploads/2017/03/martin-heidegger-construir-habitar-pensar.pdf. Acesso em: 20 jun. 2024.
HEIDEGGER, Martin. A origem da obra de arte. Tradução Maria da Conceição Costa. Lisboa: 70, 2019.
HEIDEGGER, Martin. Ser e tempo. Tradução Marcia S. Cavalcante, Petrópolis: Vozes; Bragança Paulista: Ed. Universitária São Francisco, 2021.
MERLEAU-PONTY, Maurice. La structure du comportement. Paris: Presses Universitaire de France, 1990.
MERLEAU-PONTY, Maurice. Phénoménologie de la perception. Paris: Gallimard, 1987.
MERLEAU-PONTY, Maurice. Le visible et l’ invisible. Paris: Gallimard, 1964.
MERLEAU-PONTY, Maurice. Signes. Paris: Gallimard, 1960.
MERLEAU-PONTY, Maurice. Sens et non-sens. Paris: Nagel, 1966.
MERLEAU-PONTY, Maurice. Résumés de cours. Paris: Gallimard, 1968.
MERLEAU-PONTY, Maurice. Existence et dialectique. Paris: Presses Universitaires de France, 1971.
MERLEAU-PONTY, Maurice. Notes de cours. Paris: Gallimard, 1996.
MERLEAU-PONTY, Maurice. Fenomenologia da percepção. Tradução Carlos Alberto Ribeiro de Souza. São Paulo: Martins Fontes, 1999.
MERLEAU-PONTY, Maurice. A prosa do mundo. São Paulo: Cosac & Naify, 2002.
MERLEAU-PONTY, Maurice. O olho e o espírito. São Paulo: Cosac & Naify, 2004.
MERLEAU-PONTY, Maurice. A natureza. São Paulo: Martins Fontes, 2000.
RICHIR, Marc. Le sens de la phénoménologie dans Le Visible et l’invisible. Révue Esprit, juin 82/21. 1982 Disponível em: https://esprit.presse.fr/article/richir-marc/le-sens-de-la-phenomenologie-dans-le-visible-et-l-invisible-2668. Acesso em: 21 jun. 2023.
RICHIR, Marc & TASSIN, E. (org.) Merleau-Ponty. Phénoménologie et expériences. Grenoble: Ed. Jerôme Millon, 1992.
Schapiro, M. (1968). The Still Life as a Personal Object – A Note on Heidegger and van Gogh. In: Simmel, M.L. (eds). The Reach of Mind. Springer: Berlin, Heidelberg. DOI: https://doi.org/10.1007/978-3-662-40265-8_14.
SCHUBACK, Marcia de S.C. Os fragmentos de Heidegger sobre Paul Klee, 17 de agosto de 2017. Disponível em: https://pessoaypessoa.blogspot.com/2017/08/os-fragmentos-de-heidegger-sobre-paul.html. Acesso em: 08 jun. 2023.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Journal of Modern and Contemporary Philosophy
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings.
