ÁGUA VIVA: SCULPTURAL POETICS ”“
APPROACHES BETWEEN CLARICE LISPECTOR AND LYNDA BENGLIS
DOI:
https://doi.org/10.26512/cerrados.v29i54.31628Parole chiave:
Água viva. Sculpture. Creative process., Lynda Benglis.Abstract
ABSTRACT: Hereby we submitted a dialogue between Água viva (1973), by Clarice Lispector, and visual artist Lynda Benglis. Initially, we drew parallels of Michelangelo (1547) concerning poetry and sculpture, highlighting the creative process of both artists, emphasizing their ruptures with classic paradigms of harmony. Sequentially, there were settled the points of malleability, and contention/waste in their artworks, as well as their relationship with the matter, with the immanence of the present, and with the power of provoking new perspectives.
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Riferimenti bibliografici
ALBERTI, Leon Battista. De statua. In: _____. On Painting and Sculpture. Translation by Phaidon Press London: 1972.
ALVAREZ, Ana Cecilia. Bend it Like Benglis. The New Inquiry, Oct. 20, 2014. Available from: <https://thenewinquiry.com/bend-it-like-benglis/>, access on May 2, 2020.
AMARAL, Emília. O leitor segundo G. H. Cotia: Ateliê Editorial, 2005.
BACHELARD, Gaston. Introdução à dinâmica da paisagem. In: O direito de sonhar. 2 ed. Translation by José Américo Motta Pessanha. São Paulo: Difel, 1986.
____________________. Water and dreams: An Essay on The Imagination of Matter. Translated by Edith Farrell. Dallas: Pegasus Foundation; The Dallas Institute of Humanities and Culture, 1983.
BERGSON, Henri. Cartas, conferências e outros escritos. Translation by Franklin Leopoldo e Silva. 2 ed. São Paulo: Abril Cultural, 1984.
BLANCHOT, Maurice. O espaço literário. Translation by Álvaro Cabral. Rio de Janeiro: Rocco, 1987.
BOOKHARDT, Eric. Lynda Benglis: I Choose My Dreams. In: Sculpture: A Publication of the International Sculpture Center, Apr. 1, 2017. Available from: <https://sculpturemagazine.art/lynda-benglis-i-choose-my-dreams/>, access on May 2 2020.
BORELLI, Olga. Clarice Lispector: esboço para um possível retrato. Rio de Janeiro: Nova Fronteira, 1981.
BUETI, Federica. Lynda Benglis. Bomb Magazine, Dec. 15, 2016. Available from: <https://bombmagazine.org/articles/lynda-benglis/>, access on May 2, 2020.
CHAVE, Anna C. Lynda Benglis: Everything Flows (1980-2013). Philadelphia: Lock Arts Publication, 2013. pp. 5-20.
CHEIM & READ. A Survey: Sculpture 1969 to 2004 (Feb. 2004). Available from: <https://www.cheimread.com/exhibitions/lynda-benglis_2>, access on May 2, 2020.
FERREIRA, Teresa Cristina M. Eu sou uma pergunta: uma biografia de Clarice Lispector. Rio de Janeiro: Rocco, 1999.
GUERRA, José Augusto. Entrevista com Clarice Lispector. Rio de Janeiro, Correio da Manhã, 6 mar. 1972, pp. 4-5.
GOTLIB, Nádia Batella. Clarice, uma vida que se conta. 2 ed. São Paulo: Ática, 1995.
HESIOD. Theogony. 2 ed. Translation, introduction, and notes by Richard Caldwell. Cambridge (MA): Focus Publishing / R. Pullins Company, 1987.
HUDDLESTON, Yvete. Lynda Benglis: Off the wall by nature. The Yorkshire Post, Feb. 22, 2015. pp. 1-5.
JONES, Amelia. Postfeminism, Feminists Pleasures, and Embodied Theories of Art. In: FRUCH, J.; LANGER, C.; RAVEN, A (ed). New Feminism Criticism: Art, Identity, Action. New York: Icon Editions, 1994, pp. 16-41.
JOYCE, James. Finnegans Wake. New York: Penguin Books, 1967.
KANDINSKY, Wassily. Concerning the Spiritual in Art. Translated by M. T. H Sadler. New York: Dover Publications, 1977.
KARNES, Andrea et. al. Modern Art Museum of Forth Worth 110. Translated by Michael Auping. Tempe: Third Millennium Publications, 2002.
LINS, Álvaro. A experiência incompleta: Clarisse Lispector (1944). In: Os mortos de sobrecasaca: ensaios e estudos (1940-60). Rio de Janeiro: Civilização Brasileira, 1963.
LIPPARD, Lucy R. Making Up: Role Playing and Transformation in Women’s Art. In: Ms. Magazine, Oct. 1975, n. 4, p. 101-108. Available from: <https://arcade.nyarc.org/record=b1148166~S2>, access on May 2, 2020.
LISPECTOR, Clarice. A hora da estrela. 9 ed. Rio de Janeiro: Nova Fronteira, 1985.
_________________. A maçã no escuro. Rio de Janeiro: Rocco, 1998.
_________________. Água viva. Rio de Janeiro: Editora Artenova, 1973.
_________________. Água viva. Translated by Stefan Tobler; edited by Benjamin Moser. New York: New Directions, 2012.
_________________. Perto do coração selvagem. 10 ed. Rio de Janeiro: Nova Fronteira, 1980.
MATA, J. L. Vivência da arte da pintura do ventre materno por profissionais e gestantes: histórias, emoções e significados. [Tese de Doutorado]. Campinas: Universidade Estadual de Campinas, 2017. Available from: <http://repositorio.unicamp.br/jspui/handle/REPOSIP/332878>, access on May 2, 2020.
MEYER, Richard. Bone of Contention. In: Lynda Benglis. Dijon: Le Presses Du Réel, 2009, pp.63-66.
_______________. Miss Lynda: on Lynda Benglis’s Klaus, 1975 (pp. 178-181). In: Locks Gallery, Jan 1, 2010. Available from: <http://www.locksgallery.com/attachment/en/558176bf278e1af86c88ecaf/Press/55c10e1c4ad7504f240626dc>, access on May 2, 2020.
MICHELANGELO. The Love Poems of Michelangelo. Translated and introduced by James Cowan. Queensland: The University of Queensland Editions, 2017.
MIGLIACCIO, Luciano. Poemas de mármore: Michelangelo escultor e poeta nas Lezioni de Benedetto Varchi. Revista Brasileira de História, São Paulo, v. 18, n. 35, 1998, p. 207-216. Available from <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01881998000100009&lng=en&nrm=iso>. access on May 2, 2020.
MOISÉS, Massaud. Clarice Lispector contista. In: Temas Brasileiros. São Paulo: Comissão Estadual de Cultura, 1964.
NIMPTSCH, Emily. The Oozing, Undulating Forms of Lynda Benglis. In: Blum & Poe, Los Angeles, Dec. 16 2017. Available from: <https://www.riotmaterial.com/the-oozing-undulating-forms-of-lynda-benglis/>. access on May 2, 2020.
NUNES, Benedito. O dorso do tigre. São Paulo: Perspectiva, 1969.
PARINAUD, André. Por que sou escultor: entrevista de Alberto Giacometti a André Parinaud. Translation by C. Euvaldo. São Paulo, Novos Estudos, n. 34, nov. 1992, p. 72.
PATEMAN, Daniel. Lynda Benglis: In the Realm of the Senses. In: The Brooklyn Rail, Feb. 05, 2020. Available from: <https://brooklynrail.org/2020/02/artseen/In-the-Realm-of-the-Senses>. access on May 2, 2020.
PAVIA, Will. Lynda Benglis: The Woman who Refused to Take her Clothes off for Warhol. The Times, Feb. 23, 2015. Available from: <https://www.thetimes.co.uk/article/lynda-benglis-the-woman-who-refused-to-take-her-clothes-off-for-warhol-bc6vvbxq3f6>. access on 02 May 2020.
PERREAULT, John. Earth and Fire, Mendieta’s body of work. In: _________; BARRERAS, Petra. Ana Mendieta: a Retrospective. New York: The New Museum of Contemporary Art, 1987, pp. 10-27.
PESSOA, Fernando. The Book of Disquietude: By Bernardo Soares, Assistant Bookkeeper in the City of Lisbon. 4 ed. Translation and edition by Richard Zenith. Michigan: University of Michigan Press, 1996.
PRAZERES, Lílian Lima Gonçalves dos. Femininos, identidades e trânsitos em narrativas de Clarice Lispector. [Dissertação]. Vitória: Universidade Federal do Espírito Santo, 2015.
RICHMOND, Susan. Lynda Benglis, Beyond Process. New York: Tauris: 2013.
RONCADOR, Sônia. Poéticas do empobrecimento: a escrita derradeira de Clarice Lispector. São Paulo: Annablume, 2002.
ROSENTHAL, Erwin Theodor. In: O universo fragmentário. Translation by Marion Fleischer. São Paulo: Ed. Nacional/Edusp, 1975.
RUPPRECHT, Caroline. Womb Fantasies: Subjective Architectures in Postmodern Literature, Cinema, and Art Paperback. Chicago: Northwestern University Press, 2013.
SANT’ANNA, Afonso Romano de. Análise estrutural de romances brasileiros. Petrópolis: Vozes, 1974.
SCHJELDAHL, Peter. Lynda Benglis: Body and Soul. In: Lynda Benglis: 1968”“1978. Tampa: University of South Florida, 1980.
SHEETS, Hilarie M. A Life of Melting the Statu Quo. In: The New York Times, Apr. 15, 2014, pp. 4-5.
SEARLE, Adrian Searle. Lynda Benglis Review: All Vitality and Good Dirty Fun. In: The Guardian, Feb. 5, 2015. Available from: <https://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-review-good-dirty-fun>, access on May 2, 2020.
STORM KING ART CENTER (SKAC). Lynda Benglis: Water Sources. Exposition ”“ May 16 ”“ Nov. 8, 2015. Available from: <https://stormking.org/exhibitions/benglis/about.html>. access on 02 May 2020.
VIANNA, Lúcia Helena Vianna. Tinta e sangue: o diário de Frida Kahlo e os ‘quadros’ de Clarice Lispector. In: ZILBERMAN, Regina (org.). Clarice Lispector, a narração do indizível. Porto Alegre: Artes e Ofícios/Edipuc/Instituto Cultural Judaico Marc Chagal, 1998.
ZWICK, Tracy. Dancing with Clay: an Interview with Lynda Benglis. Art in America, Jan. 21, 2014. Available from: <https://www.artnews.com/art-in-america/interviews/dancing-with-clay-an-interview-with-lynda-benglis-56370/ >. access on 02 May 2020.
ALVAREZ, Ana Cecilia. Bend it Like Benglis. The New Inquiry, Oct. 20, 2014. Available from: <https://thenewinquiry.com/bend-it-like-benglis/>, access on May 2, 2020.
AMARAL, Emília. O leitor segundo G. H. Cotia: Ateliê Editorial, 2005.
BACHELARD, Gaston. Introdução à dinâmica da paisagem. In: O direito de sonhar. 2 ed. Translation by José Américo Motta Pessanha. São Paulo: Difel, 1986.
____________________. Water and dreams: An Essay on The Imagination of Matter. Translated by Edith Farrell. Dallas: Pegasus Foundation; The Dallas Institute of Humanities and Culture, 1983.
BERGSON, Henri. Cartas, conferências e outros escritos. Translation by Franklin Leopoldo e Silva. 2 ed. São Paulo: Abril Cultural, 1984.
BLANCHOT, Maurice. O espaço literário. Translation by Álvaro Cabral. Rio de Janeiro: Rocco, 1987.
BOOKHARDT, Eric. Lynda Benglis: I Choose My Dreams. In: Sculpture: A Publication of the International Sculpture Center, Apr. 1, 2017. Available from: <https://sculpturemagazine.art/lynda-benglis-i-choose-my-dreams/>, access on May 2 2020.
BORELLI, Olga. Clarice Lispector: esboço para um possível retrato. Rio de Janeiro: Nova Fronteira, 1981.
BUETI, Federica. Lynda Benglis. Bomb Magazine, Dec. 15, 2016. Available from: <https://bombmagazine.org/articles/lynda-benglis/>, access on May 2, 2020.
CHAVE, Anna C. Lynda Benglis: Everything Flows (1980-2013). Philadelphia: Lock Arts Publication, 2013. pp. 5-20.
CHEIM & READ. A Survey: Sculpture 1969 to 2004 (Feb. 2004). Available from: <https://www.cheimread.com/exhibitions/lynda-benglis_2>, access on May 2, 2020.
FERREIRA, Teresa Cristina M. Eu sou uma pergunta: uma biografia de Clarice Lispector. Rio de Janeiro: Rocco, 1999.
GUERRA, José Augusto. Entrevista com Clarice Lispector. Rio de Janeiro, Correio da Manhã, 6 mar. 1972, pp. 4-5.
GOTLIB, Nádia Batella. Clarice, uma vida que se conta. 2 ed. São Paulo: Ática, 1995.
HESIOD. Theogony. 2 ed. Translation, introduction, and notes by Richard Caldwell. Cambridge (MA): Focus Publishing / R. Pullins Company, 1987.
HUDDLESTON, Yvete. Lynda Benglis: Off the wall by nature. The Yorkshire Post, Feb. 22, 2015. pp. 1-5.
JONES, Amelia. Postfeminism, Feminists Pleasures, and Embodied Theories of Art. In: FRUCH, J.; LANGER, C.; RAVEN, A (ed). New Feminism Criticism: Art, Identity, Action. New York: Icon Editions, 1994, pp. 16-41.
JOYCE, James. Finnegans Wake. New York: Penguin Books, 1967.
KANDINSKY, Wassily. Concerning the Spiritual in Art. Translated by M. T. H Sadler. New York: Dover Publications, 1977.
KARNES, Andrea et. al. Modern Art Museum of Forth Worth 110. Translated by Michael Auping. Tempe: Third Millennium Publications, 2002.
LINS, Álvaro. A experiência incompleta: Clarisse Lispector (1944). In: Os mortos de sobrecasaca: ensaios e estudos (1940-60). Rio de Janeiro: Civilização Brasileira, 1963.
LIPPARD, Lucy R. Making Up: Role Playing and Transformation in Women’s Art. In: Ms. Magazine, Oct. 1975, n. 4, p. 101-108. Available from: <https://arcade.nyarc.org/record=b1148166~S2>, access on May 2, 2020.
LISPECTOR, Clarice. A hora da estrela. 9 ed. Rio de Janeiro: Nova Fronteira, 1985.
_________________. A maçã no escuro. Rio de Janeiro: Rocco, 1998.
_________________. Água viva. Rio de Janeiro: Editora Artenova, 1973.
_________________. Água viva. Translated by Stefan Tobler; edited by Benjamin Moser. New York: New Directions, 2012.
_________________. Perto do coração selvagem. 10 ed. Rio de Janeiro: Nova Fronteira, 1980.
MATA, J. L. Vivência da arte da pintura do ventre materno por profissionais e gestantes: histórias, emoções e significados. [Tese de Doutorado]. Campinas: Universidade Estadual de Campinas, 2017. Available from: <http://repositorio.unicamp.br/jspui/handle/REPOSIP/332878>, access on May 2, 2020.
MEYER, Richard. Bone of Contention. In: Lynda Benglis. Dijon: Le Presses Du Réel, 2009, pp.63-66.
_______________. Miss Lynda: on Lynda Benglis’s Klaus, 1975 (pp. 178-181). In: Locks Gallery, Jan 1, 2010. Available from: <http://www.locksgallery.com/attachment/en/558176bf278e1af86c88ecaf/Press/55c10e1c4ad7504f240626dc>, access on May 2, 2020.
MICHELANGELO. The Love Poems of Michelangelo. Translated and introduced by James Cowan. Queensland: The University of Queensland Editions, 2017.
MIGLIACCIO, Luciano. Poemas de mármore: Michelangelo escultor e poeta nas Lezioni de Benedetto Varchi. Revista Brasileira de História, São Paulo, v. 18, n. 35, 1998, p. 207-216. Available from <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01881998000100009&lng=en&nrm=iso>. access on May 2, 2020.
MOISÉS, Massaud. Clarice Lispector contista. In: Temas Brasileiros. São Paulo: Comissão Estadual de Cultura, 1964.
NIMPTSCH, Emily. The Oozing, Undulating Forms of Lynda Benglis. In: Blum & Poe, Los Angeles, Dec. 16 2017. Available from: <https://www.riotmaterial.com/the-oozing-undulating-forms-of-lynda-benglis/>. access on May 2, 2020.
NUNES, Benedito. O dorso do tigre. São Paulo: Perspectiva, 1969.
PARINAUD, André. Por que sou escultor: entrevista de Alberto Giacometti a André Parinaud. Translation by C. Euvaldo. São Paulo, Novos Estudos, n. 34, nov. 1992, p. 72.
PATEMAN, Daniel. Lynda Benglis: In the Realm of the Senses. In: The Brooklyn Rail, Feb. 05, 2020. Available from: <https://brooklynrail.org/2020/02/artseen/In-the-Realm-of-the-Senses>. access on May 2, 2020.
PAVIA, Will. Lynda Benglis: The Woman who Refused to Take her Clothes off for Warhol. The Times, Feb. 23, 2015. Available from: <https://www.thetimes.co.uk/article/lynda-benglis-the-woman-who-refused-to-take-her-clothes-off-for-warhol-bc6vvbxq3f6>. access on 02 May 2020.
PERREAULT, John. Earth and Fire, Mendieta’s body of work. In: _________; BARRERAS, Petra. Ana Mendieta: a Retrospective. New York: The New Museum of Contemporary Art, 1987, pp. 10-27.
PESSOA, Fernando. The Book of Disquietude: By Bernardo Soares, Assistant Bookkeeper in the City of Lisbon. 4 ed. Translation and edition by Richard Zenith. Michigan: University of Michigan Press, 1996.
PRAZERES, Lílian Lima Gonçalves dos. Femininos, identidades e trânsitos em narrativas de Clarice Lispector. [Dissertação]. Vitória: Universidade Federal do Espírito Santo, 2015.
RICHMOND, Susan. Lynda Benglis, Beyond Process. New York: Tauris: 2013.
RONCADOR, Sônia. Poéticas do empobrecimento: a escrita derradeira de Clarice Lispector. São Paulo: Annablume, 2002.
ROSENTHAL, Erwin Theodor. In: O universo fragmentário. Translation by Marion Fleischer. São Paulo: Ed. Nacional/Edusp, 1975.
RUPPRECHT, Caroline. Womb Fantasies: Subjective Architectures in Postmodern Literature, Cinema, and Art Paperback. Chicago: Northwestern University Press, 2013.
SANT’ANNA, Afonso Romano de. Análise estrutural de romances brasileiros. Petrópolis: Vozes, 1974.
SCHJELDAHL, Peter. Lynda Benglis: Body and Soul. In: Lynda Benglis: 1968”“1978. Tampa: University of South Florida, 1980.
SHEETS, Hilarie M. A Life of Melting the Statu Quo. In: The New York Times, Apr. 15, 2014, pp. 4-5.
SEARLE, Adrian Searle. Lynda Benglis Review: All Vitality and Good Dirty Fun. In: The Guardian, Feb. 5, 2015. Available from: <https://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-review-good-dirty-fun>, access on May 2, 2020.
STORM KING ART CENTER (SKAC). Lynda Benglis: Water Sources. Exposition ”“ May 16 ”“ Nov. 8, 2015. Available from: <https://stormking.org/exhibitions/benglis/about.html>. access on 02 May 2020.
VIANNA, Lúcia Helena Vianna. Tinta e sangue: o diário de Frida Kahlo e os ‘quadros’ de Clarice Lispector. In: ZILBERMAN, Regina (org.). Clarice Lispector, a narração do indizível. Porto Alegre: Artes e Ofícios/Edipuc/Instituto Cultural Judaico Marc Chagal, 1998.
ZWICK, Tracy. Dancing with Clay: an Interview with Lynda Benglis. Art in America, Jan. 21, 2014. Available from: <https://www.artnews.com/art-in-america/interviews/dancing-with-clay-an-interview-with-lynda-benglis-56370/ >. access on 02 May 2020.
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Pubblicato
2020-11-23
Come citare
Aires Franceschini, M. (2020). ÁGUA VIVA: SCULPTURAL POETICS ”“ : APPROACHES BETWEEN CLARICE LISPECTOR AND LYNDA BENGLIS. Revista Cerrados, 29(54), 169–183. https://doi.org/10.26512/cerrados.v29i54.31628
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Sezione
Dossiê: Clarice Lispector: 100 anos entre outras artes
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