Português

Authors

  • Luciana Barreto Machado Rezende Universidade de Brasília
  • Edilberto Martins de Oliveira Universidade de Goiás

DOI:

https://doi.org/10.26512/cerrados.v29i54.32050

Keywords:

Português

Abstract

Clarice Lispector, one of the greatest Brazilian writers of the century XX, was accused several times, during its fruitful literary career, of not dealing with social subjects in her writings. This makes emblematic her choice, made in a television interview granted in 1977, the year of her death, of the chronicle “Mineirinho” as her favorite work. In the chronicle, the writer exposes her indignation against the murder of a criminal in the hills of Rio de Janeiro, on May 1st, 1962, by truculent police action, composing a burning libel in favor of human rights. Based on this approach, we will seek, in the present work, to identify the correlations between the Claricean revolt screaming and theories of punitive law, prescribers of punishing regimes of exception for the “enemies” of the State and society, as well as with the sociological notion of “necropolitics”, conceived by Cameroonian philosopher Achile Mbembe.

KEY WORDS: Clarice. Mineirinho. Enemy’s criminal law. Necropolitics.

 

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Author Biographies

Luciana Barreto Machado Rezende, Universidade de Brasília

Doutora em Literatura e Práticas Sociais pela Universidade de Brasília (UnB). Mestre em Teoria Literária (2008) e Graduada em Comunicação (1992), pela mesma instituição.

Edilberto Martins de Oliveira, Universidade de Goiás

Graduado em Economia pela Pontifícia Universidade Católica de Goiás (PUC-Goiás), em Direito pela Universidade Federal de Goiás (UFG) e em Letras-Português pela Universidade de Brasília (UnB). Pós-graduado (lato sensu) em Direito Constitucional na UFG.

Published

2020-11-23

How to Cite

Barreto Machado Rezende, L., & Martins de Oliveira, E. (2020). Português. Revista Cerrados, 29(54), 138–150. https://doi.org/10.26512/cerrados.v29i54.32050

Issue

Section

Clarice Lispector: 100 years between other arts