Queer Voices
Technologies, Vocalities and the Musical Flaw
DOI:
https://doi.org/10.26512/vozcen.v2i02.40223Keywords:
Queer, Vocalities, Case studies, Technologies, Third spaceAbstract
The book Queer Voices: Technologies, Vocalities and the Musical Flaw, from the music teacher of Liverpool University Freya Jarman-Ivens, presents the idea that every voice has queer potential and discusses the third space that it opens between speaker and listener, which would be a queer space. The author addresses these issues through case studies of the voices of the singers Karen Carpenter, Maria Callas and Diamanda Galás. From these cases, she addresses the issues of queerness, vocal techniques, identification and strangeness, discussing how these artists’s voices create scaping spaces of the cisheteropatriarchal sistem on musical and vocal production context.
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References
BARTHES, R. The grain of the voice. In: STERNE, J. (Ed.). The sound studies reader. New York: Routledge, 2012. p. 504-510.
CAVARERO, Adriana. Vozes Plurais: filosofia da expressão vocal. Belo Horizonte: Editora UFMG, 2011.
JARMAN-IVENS, Freya. Queer Voices: Technologies, Vocalities, and the Musical Flaw. London: Palgrave MacMillan, 2011.
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