The apparatus in Concert for four pianos of Lolo & Sosaku
DOI:
https://doi.org/10.26512/vozcen.v3i02.45452Keywords:
Voices, Polyphony, Devices, DiscourseAbstract
This article aims to analyze the performance Concert for four pianos by Lolo and Sosaku. For this, initially, weaknesses and vocal possibilities are evoked. Then, a brief exposition of the concepts of polyphony, discourse and device is carried out, from the perspective used in this article. Finally, the following are investigated: the release of the duo, the video direction decisions, the name of the performance, the piano and the machines that play the pianos. During this path, it is argued that the discourses created by the duo of artists are developed, above all, due to the choices and relationships with the devices used.
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