“Glove ”“ Evolg”

expor pelo avesso. A reversibilidade como conceito estético entre a cultura oriental e ocidental

Abstract

The purpose of this article is to offer an opportunity to reexamine the cultural dialogue between East and West based on the various reflections raised by the "GloveEvolg" exhibition (in Japanese, "Tebukuro | Rokubute") held at the National Museum of Modern Art in Tokyo (MOMAT). The exhibition, organized from a re-reading of Merleau-Ponty's concept of reversibility, sought to establish dialogue between Japanese and Western artists. Like the exhibition, this article seeks to think on the theme of otherness and the reversibility of objects.