De Cambridge a Brighton
Poesia Concreta na Grã-Bretanha, uma entrevista com Stephen Bann
DOI:
https://doi.org/10.26512/vis.v15i2.20398Keywords:
Concrete Poetry. Neo-avant-garde. Exhibitions.Abstract
Extensive interview with art historian, curator and concrete poet Stephen Bann by Gustavo Grandal Montero, focusing on his curatorial, critical and artistic work of the 1960s, closely involved with the development of Concrete poetry in the UK. Associated at an early stage with Ian Hamilton Finlay, he co-organized the First International Exhibition of Concrete and Kinetic Poetry (Cambridge, 1964) and was Director of the Concrete Poetry Exhibition for the inaugural Brighton Festival in 1967, edited Concrete poetry: an international anthology (1967) and published several influential critical texts, while developing his own Concrete poetry practice. His association with Noigandres (particularly Augusto and Haroldo de Campos) and other concrete poets in Brazil (Pedro Xisto) is also discussed.
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References
Poor. Old. Tired. Horse., editado e publicado por Ian Hamilton Finlay, 1962-7. Edimburgo: Wild Hawthorn Press. [Os números 6, 8 e 10 incluem traduções de Augusto de Campos e Pedro Xisto (nº 6), Eugen Gomringer (nº 10), e poesia concreta em inglês por Finlay (nº 8 e 10), Dom Sylvester Houédard e Edwin Morgan (nº 10 “Concrete number”)]
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Form, organizado por Philip Steadman, Mike Weaver e Stephen Bann, 1966-69. Cambridge: P. Steadman.
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Stephen Bann (org.). Midway: letters from Ian Hamilton Finlay to Stephen Bann 1964-69. Londres: Wilmington Square Books, 2014.
