Transatlantic exchange: lessons from Brazil in the work of Norman Eaton (1902-1966)

Auteurs-es

  • Marguerite Pienaar University of Pretoria

DOI :

https://doi.org/10.18830/issn.1679-0944.n18.2017.03

Mots-clés :

Brasil, Eaton, África

Résumé

No período do imediato pós-guerra de fim dos anos de 1940, muitos arquitetos sul-africanos estavam profundamente influenciados pelo modernismo brasileiro. O arquiteto Norman Eaton (1902-1966), de Pretoria, foi um dos responsá- veis por disseminar a influência brasileira na África do Sul. Eaton foi influenciado especialmente pelo trabalho de Oscar Niemeyer (1907- 2012), a quem ele conheceu pessoalmente numa viagem pelas Américas em 1945. Na obra de Eaton, a tradução da variante moderna do modernismo brasileiro revelou-se compatível com atributos africanos. Foi provavelmente esse intercâmbio transatlântico que contribuiu para que Eaton encontrasse sua especificidade na transposição em direção a uma identidade africana.

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Biographie de l'auteur-e

Marguerite Pienaar, University of Pretoria

Marguerite Pienaar is a professional architect and a full-time lecturer at the University of Pretoria.She completed her first two architecture degrees at the University of the Free State (2001), before completing a research Master’s degree at the University of Pretoria on architect Norman Eaton (1902-1966). 

Références

CHIPKIN, Clive. Johannesburg Style: Architecture and Society 1880s-1960s. Cape Town: David Phillip Publishers, 1993.

COOKE, Julian. Revisions of the Modern: The end of the International Style in the Transvaal. In FISHER, Roger, LE ROUX, Schalk, MARE, Estelle (eds.). Architecture of the Transvaal. Pretoria: UNISA, 1998, p. 231-253.

DE BEER, I. Brazil. In DE BEER, I., JACOBS, H., PRINSLOO, I., VAN WYK, L. (eds.). Architecture 2000. A Review of South African Architecture. Endorsed by the South African Institute of Architecture. Johannesburg: Picasso Headline, 2000.

EATON, Norman. A country house near Pretoria. SAAR, May 1946, 108 -110.

FISHER, Roger, LE ROUX, Schalk, MARE, Estelle (eds.). Architecture of the Transvaal. Pretoria: UNISA, 1998.

FISHER, Roger. A South African style-line. In DE BEER, I., JACOBS, H., PRINSLOO, I., VAN WYK, L. (eds.). Architecture 2000. A Review of South African Architecture. Endorsed by the South African Institute of Architecture. Johannesburg: Picasso Headline, 2000, p. 45-50.

GERNEKE, Gus. From Brazil to Pretoria: the second wave of the Modern Movement. In FISHER, Roger, LE ROUX, Schalk, MARE, Estelle (eds.). Architecture of the Transvaal. Pretoria: UNISA, 1998, p.197-230.

HARROP-ALLIN, Clinton. Norman Eaton: Architect. A Study of the work of the South African architect Norman Eaton 1902-1966. Cape Town: C. Struik publishers, 1975.

MORPHET, Tony. Personal traits: The work of Eaton and Biermann in Durban. In JUDIN, Hilton and VLADISLAVIC, Ivan (eds.). Blank__________ architecture, apartheid and after. Rotterdam: NAi, 1998, p. 93-117.

PIENAAR, M. The Norman Eaton Legacy ”“ a critical appraisal of the documentation of his domestic oeuvre. Unpublished M. Arch dissertation, University of Pretoria, 2013. http://repository.up.ac.za/handle/2263/41017?show=full. Accessed: 19 January 2017.

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Comment citer

Pienaar, M. (2017). Transatlantic exchange: lessons from Brazil in the work of Norman Eaton (1902-1966). Paranoá, 10(18). https://doi.org/10.18830/issn.1679-0944.n18.2017.03

Numéro

Rubrique

Teoria, História e Crítica

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