Perspective and virtual space

Abstract

From Greek temples, passing through the Renaissan­ce and Palladian architecture, to the Baroque sceno­graphic space, there are several examples of conse­crated architecture that used composition resources to create optical ilusion. Such resources consider the body, in all its dimensions and spatial distances, and the way in which man will perceive the building from perspectives. Nowadays, the perspectives of the “vir­tual reality” space are better perceived through a route, which is induced. The man becomes a specta­tor of the space configured for every man of any hei­ght. Everyone will have the same perspective, since the route are the same. Finally, we observe a kind of “massification” of man, disregarding the individual physical and also emotional particularities in his au­tonomy.