A écfrase na poesia de Richard Siken: uma tradução de “Portrait of Fryderyk in Shifting Light”
DOI :
https://doi.org/10.26512/belasinfieis.v12.n1.2023.44674Mots-clés :
Richard Siken. War of the Foxes. Poesia estadunidense. Écfrase. Tradução de poesia.Résumé
Com a publicação de War of the Foxes (2015), a poesia de Richard Siken, caracterizada pelo verso livre e uma estética cinematográfica, volta-se bastante para as artes plásticas, em um constante diálogo com a pintura, utilizando a écfrase como recurso retórico. Neste artigo, a fim de propor uma tradução para um dos poemas da coletânea que exemplifique esse diálogo, examino aspectos ecfrásticos da estética de Siken por meio de uma breve análise dos poemas “Portrait of Fryderyk in Shifting Light” e “Three Proofs”. A discussão do espaço dessa ferramenta na estética do poeta permite buscar soluções para manter os elementos encontrados nos poemas em uma tradução para o português, o que possibilita um melhor conhecimento acerca do desempenho das escolhas referentes às características dessa atividade na poesia. É apresentada, portanto, uma proposta de tradução para o poema “Portrait of Fryderyk in Shifting Light”, assim como comentários acerca do processo tradutório.
Téléchargements
Références
Barry, P. (2002). Contemporary Poetry and Ekphrasis. The Cambridge Quartely, Special Issue on Contemporary Poetry II, 31(2), 155–165.
Butts, L. (2015). Richard Siken’s WAR OF THE FOXES. The Iowa Review. https://iowareview.org/blog/richard-sikens-war-foxes
Kempenaers, T. (2019). Queer Discomfort: Desire and Heteronormativity in Richard Siken’s Crush. College Literature, 46(4), 914–941.
Kronenberg, S. (2015). Love in Contemporary Gay Male Poetry in the Works of Richard Siken, Eduardo C. Corral, and Jericho Brown. Cordite Poetry Review, 1.
Rodolpho, M. (2010). Écfrase e Evidência nas Letras Latinas: Doutrina e Práxis. [Dissertação de Mestrado, Universidade de São Paulo].
Siken, R. (2005). Crush. Yale University Press.
Siken, R. (2015). War of the Foxes. Copper Canyon Press.
Vieira, M. de P. (2017). Écfrase: de recurso retórico na Antiguidade a fenômeno midiático na contemporaneidade. Todas as Letras, 19(1), 45–57.
Téléchargements
Publié-e
Comment citer
Numéro
Rubrique
Licence
(c) Tous droits réservés CC BY 2023
![Licence Creative Commons](http://i.creativecommons.org/l/by/4.0/88x31.png)
Cette œuvre est sous licence Creative Commons Attribution 4.0 International.
Copyright Statement
Given the public access to this journal, the texts are free to use but requires the recognition of the original authorship and initial publication in this journal to be properly stated.
The journal allows the use of works published for non-commercial purposes, including the right to submit the work to publicly accessible databases. Published contributions are the sole and exclusive responsibility of the author(s).
- When submitting papers to be evaluated by the Belas Infiéis journal, the author(s):
- Declare that the contents of the contributions are original and of their original creation, being entirely responsible for their content if there is an objection by third parties.
- Claim to be aware that they should not commit academic plagiarism.
- Declare that the manuscript has not been published, completely or partially, in Portuguese or another language. If it is a translation it should be submitted to the Translated Articles section.
- Declare that the manuscript is not being evaluated by other journals.
- Declare that the manuscript was not submitted to another journal simultaneously.
- Commit(s) to inform the journal of any kind of error or inaccuracy in their contribution (published, in evaluation or in editing) and to collaborate with the editors to make due corrections of the article (when in evaluation or editing) or erratum/retraction (after publication).
- Declare that there is no conflict of interest regarding the published work.
- Authorize its release if it is accepted for publication without any kind of monetary compensation.
- Agree to assign non-exclusive rights to publication to the magazine, remaining free to make their contribution available in other media as long as the publication of the first version in Belas Infiéis magazine is mentioned. They also authorize Belas Infiéis to assign their texts for reproduction in content indexers, virtual libraries and similar platforms.
- Maintain copyright and grant the journal the right of first publication, the work being licensed under theCreative Commons Attribution License.
- Is/Are allowed and encouraged to publish and distribute their work online after the editorial process, which may increase the impact and citation of the published work.
- Authorize the editorial team to make textual adjustments and to adapt the article to the publication rules, when necessary.