A fábrica do sensível
as imagens contraditórias da arte
DOI:
https://doi.org/10.26512/vis.v14i2.19788Keywords:
Aesthetic. Art. Image. Sensory Experience. Modernism.Abstract
Defending the aesthetics as the terrain where the battle takes place for the emancipation of new forms of political subjectivity, Jacques Rancière highlights the role of art as a contradictory sensorial experience. The aesthetic experience transforms and redraws the distribution of the sensorium, the division that predetermines the ways of being-in-common. Art relates to the production of a community founded on the idea of dissent. Dividing from within a given sensorial situation, art reconfigures the possibility of perception, thought and action, redistributing the capabilities within the community. Art teaches how to live in a heterogeneous sensorium because it links contradictory orders as knowing and notknowing, logos and pathos, autonomy and heteronomy.
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