The Ubiquitous Museum
DOI:
https://doi.org/10.26512/museologia.v4i7.16777Palabras clave:
Museu Onipresente, Transmuseu, Constelação de Museus Imaginários, Etnografia multilocalizada, Sub - jetividades onipresentesResumen
This paper is concerned with the fluidity of spac - es, material/intangible, of cultural experimenta - tion with the aim of interrogating histories, re - searching presents, imagining futures. A moving constellation of imaginary museums elaborates a “multi-sited ethnography” in order to multiply and connect a constellation of potential objects/ subjects, focusing and performing ubiquitous spac - es and kairos temporalities. Methodologically, the paper follows George Marcus’s notion of multisited ethnography that he defines as “a possible experimentation with multi-locale ethnographies which would explore two or more locales and show their interconnections over time and simul - taneously” (1995). It will connect anthropology, the arts and architecture including the work of the Anglo-Iranian architect Zaha Hadid, the Brazil - ian artist Nele Azevedo and the Bororo profes - sor Kleber Meritororeu. The Ubiquitous Museum will try theoretically to accomplish such a multisited project, drawing on Edward Said’s exile experience that configures “nonessentialist forms of cultural politics” (2006). Additionally, in discussing the concept of Transmuseum or Imaginary Muse - um Constellation, the paper will present notions such as astonished methodology, anthropological compositions, ubiquitous subjectivities.
Descargas
Citas
ADORNO, T.W. Negative Dialektik, Suhrkamp Verlag, Frankfurt am Main, 1966.
ADORNO, T.W. Aestetische Theorie, Suhrkamp Verlag, Frankfurt am Main, 1970.
ADORNO, T.W. e MANN, T. Briefwechsel 1943-1955. Suhrkamp Verlag: Frankfurt am Main, 2002.
ANDRADE, O. Manifesto Antropofagico, Roma, Meltemi, 1999.
APPADURAI, A. The Social Life of Things, Cambridge University Press, New York, 1986.
BATESON, G. Steps to an Ecology of Mind. Chicago and London: University of Chicago Press, 1972.
BENJAMIN, W. Das Kunstwerk im Zeitalter seiner technischen Reproduzierarkeit, Suhrkamp Verlag, Frankfurt, 1955.
BENJAMIN, W. Briefe, Frankfurt am Main, Suhrkamp; trad. it. 1978, Lettere 1913-1940, Torino, Einaudi, 1966.
BENJAMIN, W. Des Passagen-Werk, Frankfurt am Main, Suhrkamp Verlag, 1982.
BETSKY, A. e ADIGARD E. Architecture Must Burn, Ginko Press, San Francisco, 2000.
BRATU HANSEN, M. Cinema and Experience. S. Krakauer, W.Benjamin, T.W.Adorno, University of California Press, Berkeley, LA, London, 2012.
CANEVACCI, M. The Line of Dust. The Bororo Culture between Tradition, Mutation and Self-representation, Canon Pyon, Sean Kingston Publ., 2013a
CANEVACCI, M. SincretiKa. Explorações nas artes contemporâneas. São Paulo: Studio Nobel, 2013b
CANEVACCI, M. Digital Auratic Reproducibility: Ubiquitous Ethnographies and Communicational Metropolis, in “An Ethnography of Global Landscapes and Corridors” (edited by Loshini Naidoo), Rijeka, InTech Publisher, 2012.
CANEVACCI, M. Body-corpse: eXtreme youth cultures for eXterminated arts, in “The Young Aggressive. Refractory Character of Contemporary Art in Russia”, Musashino Art University, Tokyo, 2008.
CANEVACCI, M. Hybridentities, in Hybrid-Living in Paradox, “Ars Electronica”, Hatje-Cantz ed., Linz , 2005.
CANEVACCI, M. A cidade polifonica. Ensaio sobre a antropologia da comunicação urbana, Studio Nobel, São Paulo , 1992 (2011 3ª ed.).
CANEVACCI, M. Image Accumulation and Cultural Syncretism, in "Theory, Culture & Society", vol.9 n.3, Sage Publication, London, Newbury Park and New Delhi, 1992.
DELL HYMES, H. Anthropology and Poetry, «Dialectical Anthropology», n. 2-4. , 1986.
DURHAM, J Cowboys and … In Avatar n. 3, Roma, Meltemi, 2000.
FAUBION J.D.-Marcus G.E. (ed). Fieldwork is not what it used to be. Learning Anthropology’s Method in a Time of Transition. Ithaca: Cornel University, 2009.
FREUD, S. Das Unheimliche, Gesammelte Werke XII. Frankfurt am Main, 1919.
GOLDBERG, R. A Arte da Performance. São Paulo: Martins Fortes, 2006.
HADID, Z. Recent Work. In: Noever, P. et al. Architecture in Transition. Munich: Prestel Publishing, 1991.
HERSCH, J. Storia della filosofia come stupore, Milano, B. Mondadori, 2002.
JENEMANN, D. Adorno in America, University of Minnesota Press, 2007.
KOHL, K.H. Introduction, in The End of Anthropology?, Jebens and Kohl (eds) Wantage: Sean Kingston Publishing, 2011.
KOOLHAAS, R. (ed.). Project on the City 2, Koln, Taschen, 2001.
KRACAUER, S. The Mass Ornament, Harvard University Press, Cambridge (Mass.), 1995.
LEACH, E., Culture and Communication, Cambridge, Cambridge University Press, 1976.
LUECKE, S. Performing Arts Centre Abu Dhabi by Zaha Hadid, 1995. http://desmena.com/?p=49
MARCUS, G. Ethnography in/of the World System: the Emergence of Multi-sited Ethnography, in: Annual Review of Anthropology, 1995. 24:95-110.
MARCUS, G. E., FISCHER, M. Anthropology as Cultural Critique. Chicago and London: University of Chicago Press, 1986.
MUDLER, A. Transurbanism. Rotterdam: V2_Publishing, 2002.
OOSTERHUIS, K. Hyperbodies, Toward an e-motive architecture, Basel, Birkhauser, 2003.
PESSOA, F. O eu profundo e os outros eus, Nova Froneira, Rio de Janeiro, 1980.
ROBERTSON, R. Globalisation: Social Theory and Global Culture, London, Sage Publication, 1992.
Rosaldo, R. Culture and Truth. Boston: Beacon Press, 1989.
SAID, E. W. On Late Style, New York, Vintage Books, 1986.
SASSEN, S. The Global City: New York, London, Tokyo, Princeton, Princeton University Press, 2001.
SOBCHACK, V. Meta-morphing, Minneapolis, University of Minnesota Press, 2000.
TEDLOCK, D. The Spoken Word and the Work of Interpretation, University of Pennsylvania Press, 1983.
TURNER, V. From Ritual to Theatre. New York: Performing Arts Journal Publ., 1982.
