The Cthulhu Ascendancy
H. P. Lovecraft and the Tentacles of Speculative Realism.
DOI:
https://doi.org/10.26512/dasquestoes.v18i1.42708Palavras-chave:
Realismo Especulativo, Ficção Científica, H. P. LovecraftResumo
.
Downloads
Referências
AGNEW, Jeremy. The Age of Dimes and Pulps: A History of Sensationalist Literature, 1830-1960. Jefferson: McFarland & Company, 2018.
AIRAKSINEN, Timo. The Philosophy of H. P. Lovecraft: The Route to Horror. New York: Peter Lang, 1999.
ASHLEY, Mike. The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950. Cambridge: Liverpool University Press, 2000.
BIRKHEAD, Edith. The Tales of Terror: A Study of the Gothic Romance. New York: E. P. Dutton, 1920.
BLEILER, Everett F. The Guide to Supernatural Fiction. Ohio: Kent State University Press, 1983.
BUNYARD, Tom. Suggestions for an Inverted Lovecraft. In: TRAFFORD, James (Org.). The Weird: A one day symposium. University of London: [s.n.], 2007, p. 18–22.
BURLESON, Donald R. Lovecraft: Disturbing the Universe. Kentucky: The University Press of Kentucky, 1990.
BUSCH, Willian Perpetuo. História da Ficção Científica nos Estados Unidos: do herói cientista de John W. Campbell ao herói antropólogo de Ursula Kroeber Le Guin. Dissertação de Mestrado, Universidade Federal do Paraná, Curitiba, 2019.
BUSCH, Willian Perpetuo. Lovecraftian Networks. Plutonics: A Journal of Non-Standard Theory, v. 15, p. 97–110, 2022.
BUSCH, Willian Perpetuo. The Hyperstition of Science Fiction: Brief Aspects. Plutonics: A Journal of Non-Standard Theory, v. 14, p. 83–101, 2021.
BUSCH, Willian Perpetuo; CLUNESS, Robert. Nas portas do Pandêmonio: Cybernetic Culture Research Unit e a Invenção da Tradição Mágica. Relegens Thréskeia, v. 10, n. 1, p. 237–250, 2021.
CANNON, Peter. H. P. Lovecraft. Boston: G. K. Hall & Company, 1989.
CCRU. CCRU Writings 1997-2003. New York: Urbanomic, 2015.
COLAVITO, Jason. The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture. New York: Prometheus Books, 2005.
DERIE, Bobby. Her Letters To Lovecraft: Lillian Delora Phillips Clark. Deep Cuts. Disponível em: <https://deepcuts.blog/2021/07/31/her-letters-to-lovecraft-lillian-delora-phillips-clark/>.
DERIE, Bobby. Her Letters To Lovecraft: Zealia Brown Reed Bishop. Deep Cuts. Disponível em: <https://deepcuts.blog/2020/12/25/her-letters-to-lovecraft-zealia-brown-reed-bishop/>.
DERIE, Bobby. Weird Talers: Essays on Robert E. Howard and Others. New York: Hippocampus Press, 2019.
EMMONS, Winfred S. A Bibliography of H. P. Lovecraft. Extrapolation: A Science-Fiction Newsletter, v. 3, n. 1, p. 2–25, 1961.
EMMONS, Winfred S. Lovecraft as a Mythmaker. Extrapolation: A Science-Fiction Newsletter, v. 1, n. 2, p. 35–37, 1960.
EMMONS, Winfred S. The Materials and Methods of American Horror Fiction in the Nineteenth Century. Dissertation, Louisiana State University and Agricultural & Mechanical College, Louisiana, 1952.
EVANS, Timothy H. A Last Defense against the Dark: Folklore, Horror, and the Uses of Tradition in the Works of H. P. Lovecraft. Journal of Folklore Research, v. 42, n. 1, p. 99–135, 2005.
FISHER, Mark. The Door in the Wall: the Weird, Worlds and the worldly. In: TRAFFORD, James (Org.). The Weird: A one day symposium. University of London: [s.n.], 2007, p. 23–27.
FISHER, Mark. Weird Realism: Lovecraft and Theory. Hyperstition. Disponível em: <http://hyperstition.abstractdynamics.org/archives/2007_03.html>.
FRAZER, James George. Adonis, Attis, Osiris - Studies in the history of Oriental Religion. London: MacMillan & Company, 1914. 2v.
FREDERICKS, S. C. The Horrors of Lovecraft. Science-Fiction Studies, v. 5, n. 2, p. 196–197, 1978.
GRANT, Kenneth. Nightside of Eden. London: Skoob Book Publishing, 1977.
GRANT, Kenneth. Outside the Circles of Time. London: Frederick Muller Limited, 1980.
HARMAN, Graham. On the Horror of Phenomenology: Lovecraft and Husserl. In: MACKAY, Robin (Org.). Collapse IV. Windsor Quarry: Urbanomic, 2009.
HARMAN, Graham. Speculative Realism: An Introduction. Kindle Electronic. Cambridge: Polity Press, 2018.
HARMAN, Graham. Weird Realism: Lovecraft and Philosophy. Washington: Zero Books, 2012.
HARMS, Daniel. The Encyclopedia Cthulhiana. Oakland: Chaosium Book, 1998.
HOPKINS-DREWER, Cecelia. Yuletide Horror: “Festival” and “The Messenger”. Lovecraft Annual, v. 24, p. 54–59, 2020.
HOWARD, Robert. Beyond the Black River. Weird Tales, v. 25, n. 5, p. 591–608, 1935.
HOWARD, Robert. The Children of the Night. Weird Tales, v. 17, n. 3, p. 353–362, 1931.
JOSHI, S. T. H. P. Lovecraft and Lovecraft Criticism - An Annotated Bibliography. Kent: The Kent State University Press, 1981.
JOSHI, S. T. In Defense of Lovecraft. Science-Fiction Studies, v. 7, n. 1, p. 111–112, 1980.
JOSHI, S. T.; SCHULTZ, David E. An H.P. Lovecraft Encyclopedia. New York: Greenwood Press, 2001.
LATOUR, Bruno. An Inquiry Into Modes of Existence - An Anthropology of the Moderns. Trad. Catherine Porter. Cambridge and London: Harvard University Press, 2013.
LE, Vincent. Invaders from the Future: The CCRU and Their Legacy. In: Melbourne: MSCP Winter School, 2019.
LEIBER, Fritz. Through Hyperspace with Brown Jenkin. Shangri-L’Affaires, n. 66, p. 8–12, 1963.
LONG, Frank Belknap. The Space-Eaters. Weird Tales, v. 12, n. 1, p. 49–68, 1928.
LOVECRAFT, H. P. Dagon. Weird Tales, v. 2, n. 3, p. 23–25, 1923.
LOVECRAFT, H. P. Selected Letters: 1925-1929. Wisconsin: Arkham House, 1968. 5v.
LOVECRAFT, H. P. Selected Letters: 1929-1931. Wisconsin: Arkham House, 1971. 5v.
LOVECRAFT, H. P. Supernatural Horror in Literature. In: JOSHI, S. T. (Org.). The Complete Fiction. New York: Barnes and Noble, 2011, p. 1041–1098.
LOVECRAFT, H. P. The Annotated Supernatural Horror in Literature. New York: Hippocampus Press, 2000.
LOVECRAFT, H. P. The Colour Out of Space. Amazing Stories, p. 556–567, 1927.
LOVECRAFT, H. P. The Festival. Weird Tales, v. 5, n. 1, p. 169–174, 1925.
LOVECRAFT, H. P. The Literature of Rome. The United Amateur, v. XVIII, n. 2, 1918. Disponível em: <https://www.gutenberg.org/files/30637/30637-h/30637-h.htm>.
LOVECRAFT, H. P. The Rats in the Walls. Weird Tales, v. 3, n. 3, p. 25–31, 1924.
LOVECRAFT, H. P. The Rats in the Walls. Weird Tales, v. 15, n. 6, p. 841–855, 1930.
LOVECRAFT, H. P. Yule Horror. Weird Tales, v. 8, n. 6, p. 846, 1926.
MACKAY, Robin (Org.). Collapse IV. Windsor Quarry: Urbanomic, 2009.
MCINNES, Neil. The Great Doomsayer: Oswald Spengler Reconsidered. The National Interest, v. 48, p. 65–76, 1997.
MULLEN, Richard Dale. The Great Futilitarian: Sprague de Camp’s Biography of Lovecraft. Lovecraft: A Biography by L. Sprague De Camp. Science-Fiction Studies, v. 2, n. 1, p. 89–91, 1975.
MURRAY, Margaret Alice. The Witch-Cult in Western Europe: A Study in Anthropology. Oxford: Clarendon Press, 1921.
NOYS, Benjamin. Horror Temporis. In: MACKAY, Robin (Org.). Collapse IV. Windsor Quarry: Urbanomic, 2009.
NOYS, Benjamin. Real Weird. In: TRAFFORD, James (Org.). The Weird: A one day symposium. University of London: [s.n.], 2007, p. 3–8.
PEAK, David. Horror of the Real: H.P. Lovecraft’ s Old Ones and Contemporary Speculative Philosophy. In: ROSEN, Matt (Org.). Diseases of the Head: Essays on the Horrors of Speculative Philosophy. Santa Barbara: Punctum Books, 2020.
POOLE, W. Scott. Lovecraft, Witch Cults, and Philosophers. In: SEDERHOLM, Carl H.; WEINSTOCK, Jeffrey Andrew (Orgs.). The Age of Lovecraft. Minneapolis & London: University of Minnesota Press, 2016, p. 215–230.
SCARBOROUGH, Dorothy. The Supernatural in Modern English Fiction. New York: G. P. Putnam’s Sons, 1917.
SEDERHOLM, Carl H.; WEINSTOCK, Jeffrey Andrew. Introduction: Lovecraft Rising. In: SEDERHOLM, Carl H.; WEINSTOCK, Jeffrey Andrew (Orgs.). The Age of Lovecraft. Minneapolis & London: University of Minnesota Press, 2016, p. 1–42.
SHELDON, Rebekah. Dark Correlationism: Mysticism, Magic, and the New Realisms. Symploke, v. 24, n. 1–2, p. 137–153, 2016.
SIMPSON, Jacqueline. Margaret Murray: Who Believed Her, and Why? Folklore, v. 105, p. 89–86, 1994.
SPENGLER, Oswald. The Decline of the West: Form and Actuality. New York: Alfred A. Knopf, 1926. 2v.
STEADMAN, John L. H. P. Lovecraft & The Black Magickal Tradition. San Francisco: Weiser Books, 2015.
TRAFFORD, James. The Shadow of a Puppet Dance: Metzinger, Ligotti and the Illusion of Selfhood. In: MACKAY, Robin (Org.). Collapse IV. Windsor Quarry: Urbanomic, 2009.
TRAFFORD, James. Thomas Ligotti and the Epistemology of Terror. In: TRAFFORD, James (Org.). The Weird: A one day symposium. University of London: [s.n.], 2007, p. 9–11.
TYMN, Marshall B.; ASHLEY, Mike (Orgs.). Science Fiction, Fantasy, and Weird Fiction Magazines. Westport: Greenwood Press, 1985.
VICK, Todd B. Renegades and Rogues: the life and legacy of Robert E. Howard. Austin: University of Texas Press, 2021.
WESTFAHL, Gary. On the Trail of a Pioneer: Dorothy Scarborough, the First Academic Critic of Science Fiction. Extrapolation, v. 40, n. 4, p. 292–303, 1999.
WETZEL, George T. On the Cthulhu Mythos. The Arkham Sample, v. 1, n. 2, p. 48–49, 1948.
WETZEL, George T. The Cthulhu Mythos: A Study. In: WETZEL, George T. (Org.). Howard Phillips Lovecraft: Volume VI. New York: SSN Publications, 1955, p. 18–27.
WOLFE, Gary K. Evaporating Genres: Essays on Fantastic Literature. Middletown: Wesleyan University Press, 2011.
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2023 Das Questões
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, sendo o trabalho simultaneamente licenciado sob a Creative Commons Attribution License o que permite o compartilhamento do trabalho com reconhecimento da autoria do trabalho e publicação inicial nesta revista.
Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.
Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado.