A Gentle Creature as an Interpretation of Dostoevsky’s Creative Method and Humanistic Ideal

Authors

DOI:

https://doi.org/10.26512/cerrados.v31i58.42221

Keywords:

Dostoevsky, life, death, immortality, Bakhtin

Abstract

The essay aims at identifying and describing the artistic specificity of Dostoevsky’s aesthetic ideal through the analysis of the literary text, A Gentle Creature, in order to define the author’s positions in relation to “true life” and death. The role and function of the story, which is part of the Diary of a Writer of 1876, will be outlined, both synchronically and diachronically, in relation to the spiritual and cultural context of the time.

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Author Biographies

Gloria Politi, University of Salento (Lecce)

Phd, Tenured Lecturer and Researcher in Slavic Studies (L-LIN/21) since 2007. Adjunct Tenured Professor of Russian Language and Translation (University of Salento). P.I. of P.R.I.N. “(De)construction of myth in contemporary women’s literature in Russia and Poland”. Research topics cover Russian linguistics, Russian literature, contemporary Russian women literature, translation studies. Her scientific papers have been published in both Italian and foreign specialized journals.

Iryna Shylnikova, Unversity of Salento

PhD student at the University of Salento (Lecce, Italy). From 2017 to 2019 she participated as a researcher in P.R.I.N. “(De)construction of myth in contemporary women’s literature in Russia and Poland”. Currently, continues her research in the field of women’s contemporary Russian and Ukrainian literature. Her scientific papers have been published in scholarly journals on teaching of Russian as a foreign language, on Russian and Ukrainian culture and literature.

References

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DOSTOEVSKIJ, F. M. Diario di uno scrittore. Firenze: Sansoni, 1963.

DOSTOEVSKIJ, F. M. Memorie dal sottosuolo. Milano: Mondadori, 2017.

DOSTOEVSKIJ, F. M. La mite. Racconto fantastico. A cura di Vitale S. Milano: Adelphi, 2018.

FERRAZZI, M. La povest’ russa fra evo antico ed evo moderno. IN: Europa Orientalis. 9, 1990, pp. 9-21.

HUGO, V. L’ultimo giorno di un condannato a morte. Milano: Feltrinelli, 2016.

IMPOSTI, G. Inattendibilità e paradosso del narratore in Memorie dal sottosuolo di Dostoevskij. IN: CICCARINI M., MARCIALIS N., ZIFFER G. (a cura di), Kesarevo Kesarju. Scritti in onore di Cesare G. De Michelis. Firenze: FUP, 2014, pp. 229-239.

KASATKINA, T. Dostoevskij. Il sacro nel profano. Milano: Rizzoli, 2020.

KULCZYCKA-SALONI, JA. Dostoevskij: nuovi problemi, nuove forme. IN: GRACIOTTI, S. (a cura di), Dostoevskij nella coscienza d’oggi. Firenze: Sansoni, pp. 17-26.

PONZIO, A. Dialogo e polifonia in Dostoevskij: come è stato frainteso il pensiero di Bachtin. IN: BACHTIN, M. M. Problemi dell’opera di Dostoevskij (1929). A cura di De Michiel, M. e Ponzio, A. Bari: Edizioni dal Sud, 2018, pp. 5-30.

RIASANOVSKY, N.V. Storia della Russia. Milano: Bombiani, 2005.

SEDAKOVA, O.A. O pokajanii i raskajanii. IN: Kifa, n. 12 (198), ottobre 2015, pp.1,4.

ŠKLOVSKIJ, V. Teoria della prosa. Torino: Einaudi, 1976.

TUNIMANOV, V.A. Publicistika Dostoevskogo. “Dnevnik pisatelja”. IN: (pod. red.)

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Published

2022-05-31

How to Cite

Politi, G., & Shylnikova, I. (2022). A Gentle Creature as an Interpretation of Dostoevsky’s Creative Method and Humanistic Ideal. Revista Cerrados, 31(58), 186–197. https://doi.org/10.26512/cerrados.v31i58.42221

Issue

Vol. 31 No. 58 (2022): DOSTOIÉVSKI: 200 anos

Section

Dossiê - DOSTOIEVSKI: 200 anos

License

Copyright (c) 2022 Revista Cerrados

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