A Criação entre Dança e Instalação
DOI:
https://doi.org/10.26512/vis.v17i1.20518Keywords:
Creation. Install. Dance. Air. Philosophy. Event. Environment. Extension. Choreography.Abstract
This article aims to grasp the intellectual and practical similarities between the concept of installation, which is traditionally assigned to the visual arts, and that of dance-movement, which is
often considered as ephemeral and transitory. Through this comparison one can draw up an innovative definition of the concept of artistic creation. At first sight there is nothing in common
between the choreographer’s process of creation and the productive action of artistic installation. However, the distinction between the two is blurred in certain exemplary works by Anna Halprin, Trisha Brown, Christian Rizzo, Boris Charmatz and Mette Ingvartsen. This could be explained by the influence of practice of happenings (Allan Kaprow) on contemporary art, in which artistic creation takes the form of a process, an event, a work in progress. By following this association of installation and dance one discovers that the element of air is presented as a genuinely plastic matter, a source of inspiration for artists that generates creative procedures.
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References
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KAPROW Allan, RESTANY Pierre, BONITO OLIVA Achille, KELLEY Jeff et DANIELS Dieter (1992). 7 Environments. Milan : Fondazione Mudina.
KAPROW Allan (1996). L’Art et la vie confondus (The Blurring of Art and Life. Berkeley ; Los Angeles, University of California Press, 1993). Textes réunis par Jeff Kelley. Trad. En français par Jacques Donguy. Paris : Centre Pompidou
