Grafica y Accion Directa. Cinco horizontes de circulación en la producción del Taller 4 Rojo

Abstract

In the research “Rojo y más Rojo. Taller 4 Rojo; producción gráfica y acción directa” (2009-2012), which led to a curatorship and a homonyms publication (2015), we paid special attention to broadly outline the visual production developed by the Group Taller 4 Rojo during the 1970s, which have been partially addressed and described by different studies in the field of art history in Colombia; we set out to identify sources and creative practices that characterized the production of this platform of collective creation as well to discuss their circulation. This article is a partial result of this research, from which we tried to point out five creative practices and fields of circulation that demonstrate the horizon of political action that Group Taller 4 Rojo proposed for itself, and was sustained by a combination of subjects, creative processes and practices.