UNIVERSAL DESIGN: INCLUSION OF THE DEAF COMMUNITY IN LIVE MUSIC CONCERTS

A inclusão da comunidade surda em concertos de música ao vivo

Auteurs-es

  • Dolores Nunes Konica Minolta
  • Adelino Cunha Universidade de Lisboa
  • Ana Marques Universidade de Lisboa

Mots-clés :

design inclusive, design, musique live, surdité

Résumé

Cet article explore les chances de créer des environnements de concert inclusifs pour les communautés sourdes grâce à la conception inclusive. L'inclusion d'un interprète en langue des signes dans un concert est-elle suffisante pour le rendre inclusif? Comment pouvons-nous faire cette inclusion? Est-ce que rendre les concerts de musique live inclusifs augmentera l'intérêt et la diversité des téléspectateurs? Nous commençons par présenter un cadre théorique de conception et d'inclusion. Nous explorons des concepts tels que la conception inclusive, la conception universelle et la conception pour tous et comment ils peuvent être appliqués dans les services et les environnements, pas seulement dans les produits. Nous avons complété le cadre théorique de la surdité, à la fois en termes de paramètres scientifiques et d'approches sociales. L'article procède ensuite à une problématisation à travers une recherche menée auprès de la communauté sourde au Portugal. Les résultats nous permettent de présenter une proposition pour inclure un interprète spécialisé dans l'interprétation des paroles sur la scène du concert.

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Publié-e

2021-12-30

Comment citer

Nunes, D., Cunha, A., & Marques, A. . (2021). UNIVERSAL DESIGN: INCLUSION OF THE DEAF COMMUNITY IN LIVE MUSIC CONCERTS: A inclusão da comunidade surda em concertos de música ao vivo. Revista De Design, Tecnologia E Sociedade, 8(1). Consulté à l’adresse https://periodicos.unb.br/index.php/design-tecnologia-sociedade/article/view/37617