Violets in Disassembly
Going Back to Talking is Going Back to Living
DOI:
https://doi.org/10.26512/vozcen.v4i01.48315Keywords:
Voice, Silencing, Gender Violence, Feminism, Self writingAbstract
This article is part of my doctoral research at the State University of Santa Catarina, supervised by Prof. Dr. Daiane Dordete Steckert Jacobs. In this research, I share the process of disassembling Violetas, involving the report and reflection on the creation of this theater play, encompassing the sewing of a new dramaturgy, both written and corporeal-vocal, as well as the writing of the thesis itself. All these dimensions are considered in this work as a “self-writing” (Rago, 2013). This article, or small excerpt, aims to treat the voice from a feminist perspective, as the ability to be one’s own author and to narrate one’s own story. The voice as your personal power, as your place in the world and your pleasure in life. For centuries women have been silenced and oppressed to a place of inferiority and subalternity. The book A Room of One’s Own by Virginia Woolf is used as a reference, as well as writings by historians Letícia Milan and Michelle Perrot. I draw a parallel with the concept of “Self Writing”, by Margareth Rago. I observe harmful effects of silencing on the physiological and communicative aspects of the voice through the authors Anna Alice Almeida and Naomi Wolf. I seek a conceptualization of the voice through the works of Freya Jarman-Ives and especially Adriana Cavarero. Through the writings of Leonor Arfuch and bel hooks I find and reflect on the urgency and importance of freeing one’s voice. Finally, I present the invitation and appeal to raise our voices together, in the struggle to end gender violence and for a fairer society.
Downloads
References
ALMEIDA, Anna Alice. Palestra Voz e Emoção. Clínica de Otorrino da Paraíba. Eco Business Center, João Pessoa-PB, 15 de abril de 2023.
ARFUCH, Leonor. Mujeres que Narram: trauma y memoria. Labrys, Études Féministes/Estudos Feministas. Janvier/Décmbre 2009 – Janeiro/Dezembro 2009.
CAVARERO, Adriana. Vozes Plurais: filosofia da expressão vocal. Belo Horizonte: Editora UFMG, 2011.
FERRACINI, Renato, HIRSON, Raquel Scotti, COLLA, Ana Cristina. Práticas Teatrais: sobre presenças, treinamentos, dramaturgias e processos. Campinas: Editora da Unicamp, 2020.
JARMAN-IVENS, Freya. Queer Voices: Technologies, Vocalities, and the Musical Flaw. London: Palgrave MacMillan, 2011.
MILAN, L. P. Escrita de si e diários: construções do gênero diante de paradigmas socioculturais. Revista Brasileira de História & Ciências Sociais, [S. l.], v. 8, n. 15, p. 154–172, 2016.
PERROT, Michelle. Práticas da memória feminina. Revista Brasileira de História, v. 9, nº. 18, p. 9-18, São Paulo: ANPUH, 1989.
RAGO, Margareth. A Aventura de Contar-se. Feminismos, escrita de si e invenções da subjetividade. Campinas: Editora da Unicamp, 2013.
WOLF, Naomi. Vagina: uma biografia. São Paulo: Geração Editorial, 2013.
WOOLF, Virginia. Um Teto Todo Seu. São Paulo: Círculo do Livro S.A., s.d.
Downloads
Published
How to Cite
Issue
Section
Categories
License
Copyright (c) 2023 Voz e Cena (Voice and Scene)
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to download, print and use the articles published in the journal, as long as there is always explicit mention to the authors and to the Voz e Cena journal and that there is no change in the original work. Any other use of the texts must be approved by the authors and the journal. By submitting a paper to Voz e Cena journal and having it approved, the authors agree to assign, without remuneration, the rights of first publication and the permission for the journal to redistribute that article and its metadata to the indexing and reference services that its publishers deem appropriate.
This work is licensed under a Creative Commons Attribution 4.0 International License.