The Music(s) at Teatro Oficina
DOI:
https://doi.org/10.26512/vozcen.v3i02.45396Keywords:
Teatro Oficina, Anthropophagous Chorus, Singing Choir, Ritualistic Theater, Acting AudienceAbstract
I reflect on the presence of music(s), both singular and plural, as practiced at Teatro Oficina, from a listening perspective of a two decades Company actor/performer in the roles of actress, singer, songwriter and vocal coach. Conversing with artist and professor Ernani Maletta's concept of polyphony, I highlight the importance of music in the group's ritualistic practice, and the relationship between the venue and the various elements that constitute this music, mainly the chorus and its enactment alongside the acting audience. This in addition to the way in which the composition of all these elements from truly below the equator is responsible for creating a unique language in theater.
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