American/Un-American: representation as ideological dispute between competing discourses
representação como disputa ideológica entre discursos concorrentes
Keywords:
Hollywood, Antiamericanism, Ideology, Critical Discourse AnalysisAbstract
In 1947, ten Hollywood screenwriters refused to cooperate with a House committee which was investigating alleged soviet propaganda inserted in films. We analysed how the political opposition between the committee members and the ten witnesses is articulated within the discourse. To this end, we selected some excerpts from J. Parnell Thomas’ speech and Albert Maltz’s testimony in which each discourse opertionalise their underlying ideology, according to categories described by Thompson (1990) and Fairclough (2003). We have found that there is a hegemonic dispute around the meaning of the terms “American” and “Un-American” between two modes of representation of the American nation, which remains until today
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