Suspended time: pandemic and contemporary poetry
DOI:
https://doi.org/10.1590/2316-40187306Keywords:
Alice Sant’Anna; state of exception; pandemic; contemporary poetry.Abstract
The relationship between time and poetry drives this text, to analyze specifically how the Covid-19 pandemic manifests as a “suspended time” and how this reverberates in contemporary poetry. For this purpose, we selected some fragments of Alice Sant’Anna’s thesis (2020), Dobra, in a reading that highlights these pandemic echoes. Based on notions of poetry, time, and the pandemic discussed by philosophers such as Jean-Luc Nancy (2005) and Giorgio Agamben (2016; 2020), we verify how contemporary poetry enhances the dialogues between literature and society. Through the experience of social isolation, meanings about the state of exception, blocked time, and poetry are constructed. Also, to deepen the discussion in the Brazilian context, we return to the notes of Eurídice Figueiredo (2022). From our reading, we can observe how the issues of social isolation, pandemic, fear, contamination, disease, life, death, and time are expressed in Alice Sant’Anna’s poetry.
Downloads
References
AGAMBEN, Giorgio (2004). Estado de Exceção. Tradução de Iraci D. Poleti. São Paulo: Boitempo.
AGAMBEN, Giorgio (2016). O tempo que resta: um comentário à Carta aos Romanos. Tradução de Davi Pessoa e Cláudio Oliveira. Belo Horizonte: Autêntica.
AGAMBEN, Giorgio (2020). Esclarecimentos. Tradução de Eduardo Jardim. Disponível em: https://bazardotempo.com.br/giorgio-agamben-e-a-pandemia-subsidios-para-um-debate/. Acesso em: 25 set. 2023.
AGOSTINHO, Santo (1980). Confissões. Tradução de J. Oliveira Santos e A. Ambrósio de Pina. São Paulo: Abril Cultural.
CAVALCANTI, José Antônio (2021). A era das manadas. Bragança Paulista: Hecatombe.
DIDI-HUBERMAN, Georges (2015). Diante do tempo: história da arte e anacronismo das imagens. Tradução de Vera Casa Nova e Márcia Arbex. Belo Horizonte: Editora UFMG.
FIGUEIREDO, Eurídice (2022). A peste de Camus em diálogo: epidemias do passado, pandemia do presente. In: FIGUEIREDO, Eurídice. A nebulosa do (auto)biográfico: vidas vividas, vidas escritas. Porto Alegre: Zouk. p. 145-160.
FOUCAULT, Michel (2012). História da sexualidade I: a vontade de saber. Rio de Janeiro: Edições Graal.
GABRIEL, João (2021). Vende-se um elefante triste. [S.l.]: Produções do Ó.
GARCIA, Marília. (2023) Expedição: nebulosa. São Paulo: Companhia das Letras.
KAMENSZAIN, Tamara (2021a). Chicas en tiempos suspendidos. Buenos Aires: Eterna Cadencia.
KAMENSZAIN, Tamara (2021b). Las nuevas poetisas del siglo XXI. In: ARNÉS, Laura A.; LEONE, Lucía de; PUNTE, María José (org.). Historia feminista de la literatura argentina: en la intemperie. poéticas de la fragilidad y la revuelta. Tomo V. Córdoba: Eduvim, 2021. p. 461-466.
KAMENSZAIN, Tamara (2022). Garotas em tempos suspensos. Tradução de Paloma Vidal. São Paulo: Fósforo.
NANCY, Jean-Luc (2005). Resistência da poesia. Tradução de Bruno Duarte. [s.l.]: Vendaval.
ORGANIZAÇÃO PAN-AMERICANA DE SAÚDE (OPAS). Histórico da pandemia de COVID-19. Opas. Disponível em: https://www.paho.org/pt/covid19/historico-da-pandemia-covid-19. Acesso em: 26 set. 2023.
REIS, Raquel (2021). A dor cotidiana. São Paulo: Patuá.
SANT’ANNA, Alice Carvalho Cumplido de (2020). Dobra. Tese (Doutorado) – Departamento de Letras, Pontifícia Universidade Católica do Rio de Janeiro, Rio de Janeiro.
SOUZA, Eneida Maria de (2021). Teorizar é metaforizar. In: SOUZA, Eneida Maria de. Narrativas impuras. Recife: Cepe. p. 363-372.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Emanuelle de Queiroz Oliveira Estiphano, Nilcéia Valdati
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.