WHICH CATEDRAL YOU DESIGN IN THOUGHT

Abstract

Through the construction of an academic dialogue, this article aims at an approach on the importance of the drawing in the praxis and formation of the architect I defend the idea of the drawing in the terms proposed byArtigas, whose foundation recognizes of the drawing as “desígnio”, that which engenders the aesthetic dimension. In these terms, of the drawing anticipates a meaning beyond the representation of the object to be built, due to the plastic attributes that may give it artistic value.To rescue the understand in gof the drawing as design constitutes a path that identifies the praxis and professional formation in Architecture asa rtistic praxis. There fore, a critical and libertarian formation. From the analysis of the composition we can see an aesthetic analysis capable of motivating the sensitivity of the user. The drawing of the projectis born of a critical reflection and must be to consider the needs of the presentand the past, with a view to building a future.The objective is to glimpse the commitment of the architectonic creation with the drawing, from the point of view of its aesthetic dimension.