Ópera coreográfica: experiência e possibilidades para dramaturgias do corpo
DOI:
https://doi.org/10.26512/dramaturgias.v1i2-3.8664Keywords:
Ópera; ópera coreográfica; corpo; dança; canto lírico.Abstract
This paper discusses the idea of choreographic opera as an artistic practice present in the scope of the body dramaturgy and, for that, we set the reflections raised by the choreographies of operas performed by some coreographers. Later, we bring the positions of the historian and critic David Levin and some positions from Meyerhold about staging opera. As mediators of these reflections we bring our experience in the conception and performance of our version choreographic for Prometheus (Gabriel Fauré), staged and presented in São Paulo by an opera-lab company.
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