Dossiê entre mídias: Dramaturgia e Tradução. A narração oral de Guimarães Rosa: do papel para a voz

Abstract

For Meschonnic (1989), literature is, par excellence, the abode of orality, an illuminating flow of meaning. In Zumthor (2014), we see that, even in silent reading, the literary text is performative, provoking different reactions in ourbody. Grupo Miguilim (Cordisburgo/MG) has training young people for the art of oral narratives of texts by Guimarães Rosa for 25 years. The group’s director narrators also act as playwrights, producing versions of Rosa’s texts that are brought to the scene of oral narratives through the dramaturgical process they named Clipping. Although Clipping implies a minor interference in the original text, it is still the result of personal choice, as in any other dramaturgy.