As culturas nacionais na era da globalização cultural

Autores/as

  • Diana Crane Universidade da Pensilvânia
  • João Gabriel L. C. Teixeira Universidade de Brasília (UnB)

Palabras clave:

políticas culturais, globalização, culturas nacionais, imperialismo cultural.

Resumen

No sentido de avaliar as implicações da globalização para as políticas culturais nacionais, é necessário entender a natureza da globalização. Que tipos de teoria podem ser usadas para entender a globalização cultural? Pode a globalização ser entendida como uma forma de imperialismo cultural? Se não, como poderá ela ser entendida? Em que medida as políticas culturais podem ser usadas para controlar o impacto das culturas globais sobre as culturas nacionais? Estas são algumas das perguntas que este artigo procura responder.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Diana Crane, Universidade da Pensilvânia

Professora do Departamento de Sociologia da Universidade da Pensilvânia

João Gabriel L. C. Teixeira, Universidade de Brasília (UnB)

Professor adjunto do Departamento de Sociologia/UnB.

Citas

Appadurai, A. (1990) “Disjuncture and difference in the global cultural economy” in Public Culture, 2: 1 -24.

Banks, Jack. (1996) Monopoly Television; MTV’s Quest to Control the Music. Boulder, CO: Westview Press.

Biltereyst, Daniel. (1991) “Resisting American hegemony: a comparative analysis of the reception of domestic and US fiction” in European Journal of Communication, 6: 469-497.

Biltereyst, Daniel. (1995) “European audiovisal policy and the cross-border circulation of fiction: a follow-up flow study” in Cultural Policy, 2: 3-24.

Boddy, William. (1994) U.S. “Television abroad: market power and national introspection” in Quarterly Review of Film and Video, 15: 45-55.

Crane, Diana. (1992) The Production of Culture: Media and Urban Arts. Newbury Park: Sage. Dissanayake, Wimal. (1996) “Asian cinema and the American cultural imagery” in Theory, Culture, and Society, 13: 109-122.

Filion, Michel. (1996) “Broadcasting and cultural identity: the Canadian experience” in Media, Culture and Society, 18: 447-467.

Fotheringham, Allan. (1988) “Australian cultural imperialism?” in Maclean’s, 101 (August 22): 48. French, David and Richards, Michael. (1996) “Open markets and the future of television - Fiction and fact”: GATT, “GATS and the World Trade Organisation” in David French and Michael Richards (eds.) Contemporary Television; Eastern Perspectives. New Delhi: Sage Publications, 343-358.

Garofalo, Reebee. (1995) “Whose world, what beat? The transnational media industry, identity and cultural imperialism” in Radical America, 25: 25-38.

Hedges, Inez. (1995) “Transnational corporate culture and cultural resistance” in Socialism and Democracy, 9: 151-164.

Hoskins, C. and Mints, R. (1990) “Television fiction made in U.S.A.” in P. Lauren (ed.) Import/ Export; International Flow of Television Fiction. Paris: UNESCO, 83-90.

Liebes, Tamara and Katz, Elihu. (1990) The Export of Meaning: Cross-cultural Readings of Dallas. New York: Oxford University Press.

Malm, Karen and Wallis, Roger. (1992) Media Policy and Music Activity. London: Routledge.

McAnany, Emile G. and Wilkinson, Kenton T. (1992) “From cultural imperialists to takeover victims? Questions on Hollywood’s buyouts from the critical tradition” in Communication Research, 19: 724-748.

Mitchell, Tony. (1993) “World music and the popular music industry: an Australian view” in Ethnomusicology, 31: 309-338.

Munro, J. Richard. (1990) “Good-bye to Hollywood: cultural imperialism and the new protectionism” Vital Speeches, 56 (June 15): 524-527.

Nain, Zaharom (1996) “The impact of the international marketplace on the organisation of Malaysian television” in David French and Michael Richards (eds.) Contemporary Television; Eastern Perspectives. New Delhi: Sage Publications, 157-180.

Nossek, Hillel and Adoni, Hanna. (1996) “The social implications of cable television: restructuring connections with self and social groups” in International Journal of Public Opinion Research, 8: 51-69.

Phillips, J. D. (1982) “Film conglomerate blockbusters: international appeal and product homogenization” in G. Kindem (ed.), The American Movie Industry. Carbondale: Southern Illinois University Press, 325-335.

Roach, Coleen. (1997) “Cultural imperialism and resistance in media theory and literary theory” in Media, Culture and Society, 19:47-66.

Salwen, Michael B. (1991) “Cultural imperialism: a media effects approach” in Critical Studies in Mass Communication, 8: 29-38.

Shukar, Roy and Pickering, Michael. (1994) “Kiwi rock: popular music and cultural identity” in New Zealand. Popular Music, 13: 261-278.

Sinclair, John, Elizabeth Jacka, and Stuart Cunningham (1996) “New Patterns” in Global Television. Oxford: Oxford University Press.

Sreberny-Mohammadi, Annabelle. (1991) “The global and the local in international communications” in James Curran and Michael Gurevitch (eds.) Mass Media and Society. London: Edward Arnold, 118-138.

Straubhaar, Joseph D. (1991) “Beyond media imperialism: asymmetrical interdependence and cultural proximity” in Critical Studies in Mass Communication, 8: 39-59.

Tomlinson, John (1991) Cultural Imperialism: A Critical Introduction. Baltimore, MD: The Johns Hopkins University Press.

Uchitelle, L. (1998) “Some economic interplay comes nearly full circle” in New York Times, April 30.

Varis, T. (1985) International Flow of Television Programs. Paris: Unesco.

White, Richard. (1983) “A backwater awash: The Australian experience of Americanisation” in Theory, Culture and Society, 1: 108-122.

Publicado

2022-08-12

Cómo citar

Crane, D. ., & Teixeira, J. G. L. C. . (2022). As culturas nacionais na era da globalização cultural. Sociedade E Estado, 15(01), 33–51. Recuperado a partir de https://periodicos.unb.br/index.php/sociedade/article/view/44568

Artículos similares

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 > >> 

También puede {advancedSearchLink} para este artículo.